激情的爱
故事发生在19世纪，一个年轻骑兵军官被派到遥远的兵寨，不得不跟他那丰满的情妇分手，但到了新地方他迷上了长官的神秘表妹，一个长相怪异但欲火熊熊的女人，把他那已婚的情妇忘得一干二艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。
即刻观影
剧情赏析
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机动战士高达00剧场版先驱者的觉醒
宫野真守,三木真一郎,吉野裕行,神谷浩史,本名阳子,东地宏树,高垣彩阳,户松遥,小笠原亚里沙,高山南,滨田贤二,中村悠一,上田祐司,钉宫理惠,入野自由,斋藤千和,矶部勉,古谷彻,藤田淑子,恒松步,根谷美智子,川岛得爱,白鸟哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龙太郎,谷口节,小室正幸,白石凉子,游佐浩二,小形满,古岛清孝,清水美智子,奈良彻,星野贵纪,佐藤健辅,广田诗梦,胜地凉【故事简介】利翁兹·奥马克与天人的战斗以真正的改革者刹那·F·清英等人的胜利拉上了帷幕。独立治安维和部队A-Laws解体，世界终于走向了和平。这样过了两年，西历2314年，表面上消失了的天人为了防止战争发生仍然在暗处活动着，这时，新的战争打响了信号。再次集结起来的高达驾驶员们乘坐着新式高达，开始了战斗！【STAFF】企画：sunrise原作：矢立肇、富野由悠季脚本：黑田洋介人设原案：高河弓动画人设：千叶道德机体设定： 海老川兼武、柳濑敬之、福地仁、鹫尾直广、寺冈贤司、中谷诚一、大河原邦男动画机体设定： 中谷诚一美术设定：须江信人（KUSANAGI）美术监督：若松荣司（KUSANAGI）色彩设计：手岛明美（Wish）音响监督：三间雅文摄影监督：葛山刚士（旭Production）旁白：古谷彻制作人：池谷浩臣（sunrise）、佐々木新（sunrise）监督：水岛精二制作：创通、sunrise
七年很痒
刘青云,应采儿,刘嘉玲,安志杰,蒋怡Golf Club经理潘致文(刘青云饰)与老婆张美瑛(蒋怡饰)结婚将近七年，生活平淡、枯燥，虽然他渴望着过过“放荡的新生活”，但是天性胆小，只敢说不敢做，基本上是一个善良的小男人。 这一次美瑛要去外地旅行，潘致文觉得这是个大好机会，于是决定趁这个“婚姻大假”找寻一些刺激。抚慰自己强压六年多的欲海。 夜晚在PUB中，致文就邂逅了冶艳少女赵静(应采儿饰)，令到他心痒难忍。正当致文准备向阿静展开攻势的时候，却在相处中了解到她原来身世相当凄惨，放荡的行为只是因为孤寂的逆反，致文怜悯之心大增，无奈中不得不放弃了占有的欲念。 而与此同时，致文又遇上了自己的初恋情人张采冰(刘嘉玲饰)，已经成为事业女性的阿冰目前生活无忧，身边男伴无数，并且和一个健身教练WIL(安志杰饰)关系暧昧。但是外表热情似火的她对于致文依旧念念不忘，致文立刻与冰重燃了爱火，但同时也觉得对妻子心存愧疚。然而此时此刻家庭的危机也渐渐发生了出人意料的变化……
恐怖买家
劳伦·拉维拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi以下两位千禧一代将他们不拥有的纽约公寓卖给了不知道自己被骗的新买家。这个骗子干得很出色，直到他们遇到了一个公寓老板，他有一个黑暗的秘密，把这个游戏玩弄在他们身上。
家族秘密2025
金惠恩,金范来,金宝仑随着妍静突然宣布重返职场， 她们发现自己离家的时间明显增多。 之前一直疏远她心爱的钢琴的米娜， 开始回避家人。 之前一直回避运动的镇秀，突然每个假期都离家去锻炼。 随着秘密越积越多，沟通也变得支离破碎， 三人变得疏远却又亲近。 然后，有一天，一次偶然的相遇， 将妍静、米娜和镇秀的秘密串联了起来…… 嘘！当你打开这扇秘密之门， 一个非常特别（？）的家庭故事就此展开！
黑煞女2
丘普朗·阿瑞昆,杰克林·坤万齐提柴★ 強勢登頂泰國首周票房冠軍，終結【阿凡達：火與燼】四連霸紀錄！ ★ 挑戰感官極限的超尺度降頭獵殺，刷新「虐胃觀影」恐怖天花板！ ★ 徒手撕下顎、精蟲灌腦髓、滾鉛水灌喉，直擊咒術酷刑血腥實錄！ ★ 最生猛的南洋降頭禁術，殘虐指數破表，恐懼無處可逃！ 劇情簡介 血腥降頭獵殺，一個都別想跑… 出生自帶詛咒的潘娜（丘普朗阿瑞昆 飾）順利考取大學，原以為能埋葬過去、重啟新生。怎知她和好友小敏（萍瑪達柴莎索恩 飾）竟在新生活動後，慘遭六名學長姐殘酷霸凌。在導師制止後，對方反而變本加厲，私下求助降頭師施以致命巫術，卻意外喚醒潛藏在潘娜體內的「三眼神」邪力。獵人與獵物身份瞬間反轉。覺醒後的潘娜，信手捻來皆是索命降術，以牙還牙展開血色清算。一場終極獵殺就此引爆，誰也別想活著離開這場血色祭典！
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.