替天行道之杀兄

⭐ 3.9 播放:53万 2026-05-27
主演: 邓衍成/

主角黄冠滔(吴岱融)和兄长黄冠华(何家驹)均是养子,华性格残暴,终日犯案且染毒瘾,故经常入狱。他更时常将滔毒打,一次更打伤其要害,自此滔便有了一个阴影。本来滔与一青梅竹马之女友Jerry(钟淑慧)感情甚佳,惜自从滔被打伤后,心理上怀疑自己不能人道,故常逃避和Jerry亲热,更藉故与她分手。每次当华甫出狱,便是噩梦的开始。华好赌及吸毒的恶习一直不改,并欠下赌债累累,迫于无奈惟有诈取母亲的金钱,惜被拆穿。滔盛怒下,与华大打出手,华竟以母之性命作要协,随后更逃之夭夭。家中各人为逃避华,曾一度迁居,惜噩梦一直延续某次Jerry险被华强奸,幸被滔及时制服。当夜,华在醉意下向母索取金钱召妓被拒,声言要杀全家。华的恶行不断在滔的脑海中盘旋,滔终于忍无可忍,故趁华酒醉熟睡后,提刀杀之。究竟滔是自卫杀人?还是蓄意谋杀?经过一番激辩后,滔终判无罪释放,成众人议论话题。滔亦与Jerry再度一起,完全除去心理上的魔障海外影视

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剧情提要

主角黄冠滔(吴岱融)和兄长黄冠华(何家驹)均是养子,华性格残暴,终日犯案且染毒瘾,故经常入狱。他更时常将滔毒打,一次更打伤其要害,自此滔便有了一个阴影。本来滔与一青梅竹马之女友Jerry(钟淑慧)感情甚佳,惜自从滔被打伤后,心理上怀疑自己不能人道,故常逃避和Jerry亲热,更藉故与她分手。每次当华甫出狱,便是噩梦的开始。华好赌及吸毒的恶习一直不改,并欠下赌债累累,迫于无奈惟有诈取母亲的金钱,惜被拆穿。滔盛怒下,与华大打出手,华竟以母之性命作要协,随后更逃之夭夭。家中各人为逃避华,曾一度迁居,惜噩梦一直延续某次Jerry险被华强奸,幸被滔及时制服。当夜,华在醉意下向母索取金钱召妓被拒,声言要杀全家。华的恶行不断在滔的脑海中盘旋,滔终于忍无可忍,故趁华酒醉熟睡后,提刀杀之。究竟滔是自卫杀人?还是蓄意谋杀?经过一番激辩后,滔终判无罪释放,成众人议论话题。滔亦与Jerry再度一起,完全除去心理上的魔障海外影视

幕后花絮

加里市

设定在《熊家餐馆》故事之前,讲述Richie(艾邦·摩斯-巴克拉赫)和Mikey(乔·博恩瑟)一起去印第安纳州加里市出的一趟差。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.