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村民总动员
阿图尔·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,乔安娜·特兹佩西丝卡,Cezary Zak,维克多·兹波罗夫斯基真正的痛苦
杰西·艾森伯格,基南·卡尔金,福田知盛,詹妮弗·格雷,库尔特·埃贾万,丽莎·萨多威,丹尼尔·奥雷斯克斯,埃洛拉·托尔基亚,班纳·艾森伯格,彼得·查赫尼埃基,雅各布·贡索夫斯基,奥尔哈·博索瓦,克日什托夫·雅什查克,马雷克·卡斯普日克,雅各布·普鲁斯基是的2025
艾里尔·布隆兹,伊芙雷特·多,纳马·普雷斯,阿列克谢·谢列布里亚科夫,莎伦·亚历山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿萨夫·乔纳斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha家族秘密2025
金惠恩,金范来,金宝仑爱情鹤顶红
蔡德姮,陈卓刺杀小说家2
邓超,董子健,雷佳音,王圣迪,丁程鑫,王彦霖,邓飞,张震,辛芷蕾,郭京飞,常远同类精选
怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott Hinds喜羊羊与灰太狼之羊年喜羊羊
祖晴,张琳,杨阳洋,高全胜,梁颖,邓玉婷,刘红韵,赵娜布偶秀50周年特别节目
塞斯·罗根,塞布丽娜·卡彭特,玛娅·鲁道夫,马特·沃格尔,大卫·戈尔兹,迈克林·西提,比尔·巴雷塔,Peter Linz,史黛芬妮·迪亚布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito瘦身男女
刘德华,郑秀文,王天林,林雪,黑川力矢,佐膝佳次安娜和世界末日
艾拉·亨特,马尔科姆·卡明,莎拉·斯维尔,克里斯托弗·莱沃,玛里·休,本·威金斯,马克·本顿,保罗·凯耶,肖恩·康纳,约翰·温切斯特,艾拉·贾维斯,杰基·伯德选择之她·他
王馨婕,陈骁,马浚扬,林未,梁潇雁,陈庭尉,刘海燕影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
成人生活技能
朱迪·惠特克,爱德华·霍格,爱丽丝·洛维,布雷特·戈尔茨坦,Rachael Deering,洛琳·艾什本,伊莲恩·戴维斯Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
网络迷宫
克里斯多弗·兰伯特,迭戈·阿巴坦托诺,斯特凡妮娅·罗卡2005年圣节前3天，电子游戏设计员米正在赶制全新游戏－极乐迷宫，准备在圣诞日推出面大量发售．岂料异变突然发生，游戏里的主角苏被病毒感染产生自主意志，厌倦了打打杀杀无限续局的残酷生涯，要求杰米删除游戏程式，另一边厢，电脑集团又派人催促杰米赶快交货，进退维谷的，他只好兵行险著，策动一场网络革命……