剧情纵览
澡堂雅子和她的街头朋友六月是他们的流氓皮条客的典当。这些女孩已经失去了对自己存在的控制, 从一个客户传递到下一个。;不同于大量的娼妓电影, 这是没有所有的陈腐服饰通常与流派。在这个世界上, 没有关于爱情、灵魂伴侣或 "温柔密度" 的幻想。只是赤裸裸的, 事实性-令人不安的超然, 但惊人的真实性。
澡堂雅子和她的街头朋友六月是他们的流氓皮条客的典当。这些女孩已经失去了对自己存在的控制, 从一个客户传递到下一个。;不同于大量的娼妓电影, 这是没有所有的陈腐服饰通常与流派。在这个世界上, 没有关于爱情、灵魂伴侣或 "温柔密度" 的幻想。只是赤裸裸的, 事实性-令人不安的超然, 但惊人的真实性。
Scot想要从歹徒手中救出妹妹,却遭人陷害,被控谋杀,被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内,Scot以大猩猩的身躯复活,开始他的复仇...
少年田劲的父母早年为了将西医带入藏地做出了无数的牺牲,由于无法适应高原的生活,田劲的妈妈带着尚在襁褓中的儿子返回内地,爸爸拉格巴则在高原继续着他的事业。数年过后,妈妈病故,无依无靠的田劲来到高原寻找爸爸,然而心中却藏着无数的怨恨。拉格巴终日忙碌行医,任凭儿子自行学习牧羊。某天,田劲遭到狗熊的威胁,幸亏一只金色的藏獒相助,后来更因种种机缘让他与这只名叫多吉的藏獒成为最亲密的朋友。与此同时,草原上出现了专门残害生灵的恶魔,牧民的平静生活被彻底打破……本片根据杨志军的小说《藏獒》改编,由中日两国联合制作,日本著名漫画家浦泽直树还担任了人设和导演的工作。
Ryan O'Neil是一位在战斗中受伤后患有PTSD的退伍军人,他怀孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一个腐败的警察,她的丈夫一直在为这个国家服务,她一直在帮她。瑞恩和托尼从来都不喜欢对方,而托尼试图干涉他们的婚姻,事情变得激烈起来。但是,当瑞恩在夜晚开始在他的房子里闪现出杀手,外星人和其他奇怪生物的闪光和幻影时,他不确定这是真的还是只在他脑海中。斯蒂芬妮已经和瑞恩在一起,对丈夫的行为深表担忧。随着岁月的流逝,瑞恩很快就会发现他的噩梦在他身上萦绕着什么邪恶的存在。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster