青春援助交际

真犯

　　讲述的是受害者林宥贞的丈夫李英勋（宋清晨 饰）与嫌疑人金俊成的妻子郑多妍（柳善 饰）在最后一场判决前隐藏着对彼此的怀疑为找出真相而携手合作的故事。

轻声告诉我

　　改编自爆款《我的错误》三部曲作者Mercedes Ron的另一部Wattpad热作《Dímelo bajito (Say It to Me Softly)》。　　Fall in love with the Di Bianco brothers.Your best friends. Your biggest downfall.　　Kamila Hamilton had everything under control ... or so she thought: it was not at all in her plans for the Di Bianco brothers to return once again and turn her world upside down.　　Thiago was her first kiss. Taylor, the one who always protected her. The brothers’ return causes Kami's seemingly perfect life to tumble. She is no longer the innocent child they once knew: since they left, it seems that no one has been able to get close to her ... no one but them.　　Will Kami be able to resist Thiago’s mere presence?　　What will happen when Taylor starts looking at her differently?　　Will everything explode into a thousand pieces just like last time?

恐怖买家

以下两位千禧一代将他们不拥有的纽约公寓卖给了不知道自己被骗的新买家。这个骗子干得很出色，直到他们遇到了一个公寓老板，他有一个黑暗的秘密，把这个游戏玩弄在他们身上。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

第27天生死劫

混凝土市场电影版

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