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剧情赏析
编辑推荐
玩命魔术
林更新,刘添月,刘家辉,午马,周放魔术师社长杜新月一直想要得到业内早已经失传的传奇魔术秘笈《三式详解》，然而拥有该秘籍的童铁却拒绝将它交给心术不正的杜新月。愤怒之中，杜新月买通了童铁的助手，让她在童铁表演逃脱魔术的道具上做了手脚，导致童铁在表演过程中惨死。不仅如此，他们还继续迫害知道秘籍下落的童铁的儿子童行。 根据父亲留下的项链，童行来到了龙泉寺，在那里的方丈将《三式详解》交给了他，可就在这个节骨眼上，一直尾随童行的方教授现身抢走了秘籍，然而螳螂捕蝉黄雀在后，杜新月紧随其后打倒了方教授，试图抢夺秘籍，最终会鹿死谁手呢？
现钞风暴
格雷厄姆·沃尔夫,蕾切尔·尼尔森,Rachel Aspen天降横财！ ？一场现钞风暴正袭卷而来！银行抢匪驾车逃亡时遭遇龙卷风，车子撞毁，所有赃物都被卷入漏斗云中。两名科学家和一位健谈的网红救出了劫匪，并由此展开了一段滑稽的抢现钞之旅。
轻声告诉我
费尔南多·林德斯,安德斯·维伦科索,帕特里夏·维柯,西莉亚·费杰罗,Fernando Nagore,艾丽西娅·法尔科,Eve Ryan,Diego Vidales改编自爆款《我的错误》三部曲作者Mercedes Ron的另一部Wattpad热作《Dímelo bajito (Say It to Me Softly)》。 Fall in love with the Di Bianco brothers.Your best friends. Your biggest downfall. Kamila Hamilton had everything under control ... or so she thought: it was not at all in her plans for the Di Bianco brothers to return once again and turn her world upside down. Thiago was her first kiss. Taylor, the one who always protected her. The brothers’ return causes Kami's seemingly perfect life to tumble. She is no longer the innocent child they once knew: since they left, it seems that no one has been able to get close to her ... no one but them. Will Kami be able to resist Thiago’s mere presence? What will happen when Taylor starts looking at her differently? Will everything explode into a thousand pieces just like last time?
私房钱事件
刘玮婷,张楚松,李婷婷,王迎奇一对出现感情危机的情侣，奔赴荒山深处的度假屋，展开浪漫之旅。然而各怀心事的两人彼此设计，意外被卷入一场绑架与追杀。荒山夜逃、冰湖惊魂，在绝境的生死考验中，他们被迫携手同行，危机四伏间，爱与信任被重新唤醒，二人终于明白相守的意义。
小镇突袭
雷·利奥塔,多米尼克·珀塞尔,迈克尔·帕尔巴伦为首的四个刺客,伪造成特勤局特工去到艾伦家里,艾伦是一个因为战争失去了丈夫的女人.她家的位置很适合偷袭总统,那些人骗过了当地的警察,只有托德头脑依然清晰明了,他是个伊拉克的战争英雄,曾经和艾伦的丈夫一起服役,托德想办法杀了他们的一个手下,但被抓了.他们必须在总统被刺杀之前找到一个办法阻止刺客。。。。。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.