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菜肉馄饨
周野芒,潘虹,茅善玉,陈国庆,王琳,徐祥,高博文,王菊,陈龙,冯玛娅,倪夏莲,安栋,王佳彦,曹可凡,袁鸣,章龄之,战士强,张芝华,张建亚,顾晓东,卞根琴,孔祥东,贾梓乐,钱小昆,陈瀚波,黄英雷霆营救
安志杰,Vanessa,罗伟,赵儒嫣,Alleyn,柯恬柔,Hamid,高明燊重庆森林
林青霞,金城武,梁朝伟,王菲,周嘉玲乱马OVA特别篇无差别格斗对凤凰
山口胜平,林原惠美,日高范子,高山南,井上喜久子玩偶屋
罗伯塔·科林斯,帕姆·格里尔,Judith Brown,Brooke Mills,Pat Woodell角头：斗阵欸
高捷,蔡振南,太保,喜翔,龙天翔,王识贤,夏靖庭,孙鹏,黄腾浩,张怀秋,黄尚禾,郑人硕,张再兴,唐振刚,吴震亚,黄冠智,林真亦,陈万号,白吉胜,李铭忠,崔浩然,黄镫辉,吴念轩,是元介,瑞玛·席丹,王阳明,陆明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永腾,游安顺,伊正,王自强,孙国豪,草爷同类推荐
遁入虚无
内森奈尔·布朗,帕兹·德拉维尔塔,Cyril Roy,Olly Alexander,Masato Tanno,Ed Spear,Emily Alyn Lind,Jesse Kuhn,Nobu Imai一场车祸夺去了父母的性命，年幼的奥斯卡和妹妹琳达发誓永不分开。成年后，奥斯卡（Nathaniel Brown 饰）漂泊来至东京，为了实现童年的誓言，他以兜售毒品赚取钱财，终于为琳达（Paz de la Huerta 饰）挣得了飞来东京的机票。兄妹相遇，却终是随波逐流的个体。在这个繁花乱坠迷人眼的大都会，奥斯卡继续进行毒品交易，而琳达则在一家夜总会大跳艳舞。在一次交易时，奥斯卡遭到警察围捕，混乱中更被枪击身亡。他的意识渐渐脱离肉体，穿梭在东京的大街小巷，关注跟随每一个在他生命中留下痕迹的人，等待着下一场不知何时才会开始的轮回…… 本片荣获2009年Sitges – Catalonian国际电影节最佳摄影奖和评委会特别奖。
复仇双雄
奥马尔·查帕罗,亚利桑德罗·斯佩特泽尔,葆拉·努涅斯,娜塔莉亚·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖娅·拉里奥斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事围绕墨西哥特种部队精英卡洛斯（绰号“公牛”）展开，他在一次任务中成功抓获了犯罪集团头目，却因此遭到报复，妻子在他面前被残忍杀害，自己也沦为通缉犯。走投无路之际，他意外中了彩票头奖，一夜之间拥有了复仇的资本。他与挚友、战友米格尔联手，将全部财富转化为武器和情报，从被通缉的逃犯，变成了以暴制暴的“复仇猎人”，目标是让所有参与杀害他妻子的人，付出最惨痛的代价。
象山发光事件
小沈阳,王唯,张登平,倪景阳,田理,董芷依,胡涂,李欧,孟和乌力吉十年前的一次超自然发光事件导致张鹏（小沈阳 饰）的好友神秘失踪，十年后，张鹏跟随摄制组重返事发地寻找真相。当他们再次来到“发光禁地”时却频繁遭遇离奇恐怖的事件，认知逐渐错乱、躯体不断恶化、理性逐步崩坏，禁忌的骇人真相，将不可逆地摧毁一切……光源不再象征安全，请远离所有发光体！
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毒鲨
克里斯蒂娜·马斯特森,克里斯蒂娜·马斯特森,Michelle Cortés当客人意识到有毒的鲨鱼正在滋生周围的水源时，一个热带单身度假胜地将会转瞬即逝。 它不仅会撕裂受害者，而且还会使用抛射酸来进出水中。