剧情纵览
美丽的沙滩,蔚蓝的海洋,散发青春气息的男女,生活在浪漫的二人世界里。漂亮异常的场景以及19世纪少年的初恋还是很有看头的。看着这个片子,时常有种非现实感,比较 起奢华伪善的现代爱情故事如此曼妙的纯洁爱恋显得有如童话一般。
美丽的沙滩,蔚蓝的海洋,散发青春气息的男女,生活在浪漫的二人世界里。漂亮异常的场景以及19世纪少年的初恋还是很有看头的。看着这个片子,时常有种非现实感,比较 起奢华伪善的现代爱情故事如此曼妙的纯洁爱恋显得有如童话一般。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一个破产的平面设计师最终租了一个有着恐怖故事和神秘邻居的房间。
国球荣耀,为热爱而战
影片改编自同名畅销小说,讲述启发莎士比亚最伟大的作品背后,那段不为人知的传奇爱情故事。 威廉·莎士比亚(保罗·麦斯卡 Paul Mescal 饰)和妻子艾格尼丝(杰西·巴克利 Jessie Buckley 饰)11岁的儿子哈姆奈特染疫亡故,4年后莎士比亚以此为灵感,写出了后世传颂的《哈姆雷特》。