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热门影视 大家都在看
人证1977
冈田茉莉子,松田优作,鼻肇,乔山中,岩城滉一,三船敏郎,鹤田浩二,竹下景子,伴淳三郎,高泽顺子,范文雀,夏八木勋,长门裕之,珍妮八田,坂口良子,大泷秀治,佐藤蛾次郎,北林谷荣,西川峰子,铃木瑞穗,峰岸彻,地井武男,和田浩治,深作欣二火箭手
比利·坎贝尔,詹妮弗·康纳利,艾伦·阿金,提摩西·道尔顿,保罗·索维诺,特瑞·欧奎恩,埃德·劳特尔,詹姆斯·汉迪,Robert Miranda,乔·鲍里托,埃迪·琼斯,威廉·桑德森,Nada Despotovich,玛格·马丁戴尔,America Martin,马克斯·格隆切克,迈克尔·米尔汉,乔·达安格里奥,克林特·霍华德,Tommy J. Huff,帕特·克劳福德·布朗,朱利安·巴恩斯,彼得·布罗米洛,Tom Kindle,威廉·弗兰克神父,诺伯特·魏塞尔,梅罗拉·哈丁,瑞克·欧弗顿,Dick War世外逃劫
锡德·卢塞罗,碧优缇·冈萨雷斯,詹姆斯·布兰科无惧之爱
协塔朋·平朋,翁韦德·答奴翁,安苏玛琳·瑟拉帕萨默莎,卡维·丹扎拉岚,索姆查·肯格拉,เกียรติศักดิ์ อุดมนาค这个阿爸真爆炸
梁家辉,蔡卓妍,关智斌一马当先
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阴谋：作家之死
本·金斯利,图娃·诺沃妮,维罗尼卡·费瑞尔,迈克尔·伯恩,伊沃娜·库斯图迪奇,埃里克·约翰生,本诺·菲尔曼,桑德拉·迪金森,艾德克拉克库珀,伊丽莎白·康塞尔,杰森·雷丁顿,安娜玛丽亚·塞尔达,Gordan Kicic,格雷戈·洛基特,安格斯·肯尼迪,佩塔尔·西里卡本·金斯利将出演[作家之死](Death of an Author，暂译)，导演丹尼尔·阿尔弗雷森([玩火的女孩])。影片改编自哈坎·奈瑟即将出版的“阴谋”三部曲小说首部，三部曲均将被搬上大银幕。故事背景设置在北欧某国，主题则与奈瑟此前小说风格一致，讲述了一个交织着犯罪、复仇、逃亡与救赎的故事。
走心男
权相佑,文彩元影片翻拍自阿根廷电影《膝下无子》，讲述了高中时期遇见初恋的男人无意间将家庭史变成秘密而展开的一系列风波浪漫喜剧故事。
菲律宾女孩
乔里贝尔·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃诺卡米诺,安娜·布金德,卡门·卡斯特利亚诺斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德罗,Pipay Kipay,Thea Marabut,米卡·戈麦斯,鲁比·鲁伊斯,伊莎贝尔·西卡特,卡洛斯·西古伊纳-瑞纳,Jewel Sotelo,Sunshine Teodoro,Elle Velasco故事发生在马尼拉一处精英高尔夫球场与乡村俱乐部的封闭生态中：在俱乐部打工的“发球童”伊莎贝尔对俱乐部主席帕兰卡医生产生难以名状的吸引，但当她逐步拼凑出俱乐部光洁表象下的暴力真相时，她意识到这段“迷恋”其实牵连着更阴暗的共同过往。
捍卫时空战士
雷·利奥塔,兰斯·亨利克森,斯图亚特·维尔森,凯文·狄龙,凯文·J·奥康纳,伊恩·麦克尼奇,杰克·谢菲尔德,迈克尔·勒纳,埃涅·赫德森,Don HendersonRobbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.