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母亲2020
长泽雅美,奥平大兼,阿部隆史,郡司翔,夏帆,皆川猿时,仲野太贺,木野花,土村芳,荒卷全纪,大西信满,浅田芭路爆水管
彭于晏,艾伦,周游,闫佩伦,杨皓宇,蒋雪鸣,付航,潘斌龙,卜钰,张琪,黄炎,徐东,杨朕,杨晨汐,周彦辰,刘亦淳,普雷姆·亚达夫,景瓷,艾然最后的吸血鬼
工藤夕贵,中村佐恵美不可饶恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃尔福特,绍尔·鲁宾内克,弗兰西丝·费舍,安娜·莱文,大卫·木西,罗伯·坎贝尔,安东尼·詹姆斯,塔拉·弗莱德里克,贝弗利·埃略特,莉萨·雷波-马特尔,乔西·史密斯充气情人
朱可儿,王波文,邹旭峰,袁宗轩悬崖绝壁
佩丽冉卡·曹帕拉,卡尔·厄本,特穆拉·莫里森,伊斯梅尔·克鲁斯·科尔多瓦,加里·比德尔,萨菲亚·奥克利-格林,大卫·菲尔德,扎克·莫里斯,格雷格·哈顿,萨钦·乔伯,帕卡罗·姆泽贝,乔丹·穆尼,罗尼·詹姆斯·休斯,莎伦·布鲁克斯,艾克·楚特,乔恩·奎斯蒂德,吉迪恩·姆泽姆贝,拉斯·加拉格尔,维丹滕·奈杜,内斯特·卢卡斯同类精选
感染她嘴唇的欲望2025
鵜川もえか,渡邉結衣,原田英里佳,新嘉喜由芽猎战狂徒
郑楚一,魏晓璇,文东俊,曾晨,邹兆龙,卢惠光,邢瀚卿,英壮,梁焯满,闵政,孙蛟龙,王泽宗,王洪千,包小平,任珅,吴豪,徐宁,赵思陌,杨光,朱翔,张振宇惊爆魔盗团
祖尔·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,郑斌辉,Yasmin Hani,吕杨,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陈沛江,Sherry Al Jeffry金童2025
张继聪,曾志伟,韦罗莎,林雪,朱栢康,刘皓岚,火星,邱穟恒,李靖筠,郑丹瑞,上山诗钠,袁富华,林燕玲那个孩子是谁？
涩谷凪咲,早濑憩,山时聪真,荒木飞羽,今森茉耶,苍井旬,染谷将太,松尾谕,小原正子,槙田雄司左拉传
保罗·穆尼,盖尔·桑德加德,约瑟夫·希尔德克劳特,格洛丽亚·霍顿,唐纳德·克里斯普影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
半身死灵2
岩田小百合,仲村美羽,长宗我部阳子,松岛初音,真知里沙,山本彩乃,朝仓蜜柑,安藤成子,水木薫,川上洋一郎,大岛优子经历了最可怕的一段过去，可奈（大岛优子 饰）已经精神接近崩溃，残酷命运的安排，让她最终也无法逃脱半身死灵“嗒卡嗒卡”的猎杀。路过事故现场的水谷菜月和中岛玲子是就读同一所高中同一班级的好友，她们的学校即将举行文化祭。担任文化祭委员的玲子无意中触怒了班内小集团的头头刀根绘梨香，由此遭受了无休无止的孤立和欺凌。菜月看在眼里，却不敢组织，只能随波逐流。终于有一天，再也无法忍受的玲子将希望寄托在半身死灵身上，她将与绘梨香亲近的同学相继骗到人行天桥，目睹她们被猎杀的残忍一幕。 菜月终于发现了好友的秘密，她尝试阻止，并且了解到半身死灵的背景和不为人知的过去，可是为时已晚……
三天
朴新阳,李民基,李来朴信阳饰演父亲车胜道（音译），李民基（李暋起）饰演潘神父（姓为音译）。 该片讲述在为女儿举办葬礼的三天时间中，与寄生在死去女儿心脏中突然苏醒的恶魔进行斗争的超自然电影。
太空异种2026
魏璐,林妍柔,柳扬,王铭,安泽豪,王勉,邹玮祺,孙竞争,朱智煌,刘静怡未来世界，在一艘名为“苍穹号”的飞船上，船长梁承天带领着船员们经常在星际之间从事采集矿物质的买卖，以此来获得巨大的经济利益。虽然他们在多次采集过程中偶尔会遇到危险，但最终也都能安全返航。 直到这次，梁承天带着船员们在银河系中，意外找到一颗六千万年前爆炸的超新星，他们在附近采集到了稀有的矿物质，从而能获得巨额利益。可因利益分配不均，各怀心事的船员们就此踏上返航之旅。 在返航途中“苍穹号”意外接到了一组未知的求救讯号。他们成功救下了“创世纪号”的生物学家林修远和他的妻子Angel，而梁承天在救援的过程中也意外受伤。