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剧情简介
寥落寂寞的旅途中，斜阳的余晖洒满车厢。车内坐着一位缄默不语的男子，他是漫画家津部义（銀座吟八 饰），如今正在赶往另一个小镇与从未谋面的读者见面。那名读者是个女孩，津部决定与之结婚，从此改变落寞无序的人生。夜晚，他抵达小镇，寄宿在一家旅馆内。不久，名叫须藤静子（秋桜子 饰）的女孩赶来与之见面。她就是津部要见的那名读者，一个在当地医院上班的护士。寥寥数语交谈，静子匆匆离开，并相约下一周的今天再次会面。时间缓缓流逝，津部漫步这个古朴封闭的小镇，不知不觉开始了一段奇异之旅 本片根据漫画家つげ義春的原著《贫困旅行》中的一篇《蒸发旅日记》改编。
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Mahmoud Abu Abbas,Myriam Abbas,达丽娜·阿尔·乔迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊纳布·约达,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir教场Reunion
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这个阿爸真爆炸
任慕英（梁家辉 饰）是一个单亲爸爸，以教授钢琴来抚养女儿Ellen（蔡卓妍 饰）长大。可是女儿升上Band 5后就变得越来越不听话，令任慕英十分担心。Ellen一直觉得爸爸十分“娘娘腔”，觉得自己就算有什么麻烦，爸爸也是不可靠的人。Ellen的同学都误会了她的爸爸是个江湖高手——慕夜飞鹰，相继要求拜为师傅，此时Ellen才对爸爸改观。但任慕英被误以为是绝招的身手，不过是在照顾女儿的时候练出来的。 女儿开始觉得爸爸老了，可她还是到处惹祸，更被慕夜飞鹰的仇家胁持，任慕英为了救回女儿，独自女儿被困的地方……
再会亡灵
在一个异常炎热的日子里，三个不同的家庭发现了一个奇怪的秘密——他们刚刚死去的亲人又回来了。他们不知道该怎么办——这些不是毫无意识的僵尸，而是完全不同的东西。但究竟是什么呢？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.