经理的恶作剧

★ 7.0 播放:99万 更新:2026-05-25
主演: 未知/

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剧情简介

A Female Employee Victimize艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

导演精选

怪形前传

  时为1982年,一支隶属挪威的三人南极科考队在冰原中行进,意外发现一艘一百万年前的奇怪船只,并且在附近找到了冻于严冰之中的神秘生物。才貌双全的美国古生物学家凯特·洛伊德(玛丽·伊丽莎白·文斯蒂德 Mary Elizabeth Winstead 饰)在桑德尔·哈沃森博士(Ulrich Thomsen 饰)的邀请下,随同一众科研工作者前往南极。经过认真研究,他们发现这是地球上从未有过的生物。正当科学家们为了这个伟大的发现载歌载舞庆祝之时,神秘生物悄悄解冻,继而向人类展开凶残的袭击。经过一番惨烈的搏斗,怪物最终葬身火海。  但是厄运并未就此结束,经过对怪物细胞的观测,凯特隐隐感到一场灾难正向全人类袭来……

迪兹先生进城

 迪兹(加里·库珀 Gary Cooper 饰)是一位小有成就的商人,早已经衣食无忧的他希望能够从繁忙的事务中脱身,将时间更多的花费在自己的兴趣爱好之上。一笔价值两千万的巨额遗产从天而降落到了迪兹的头上,报社问询派来了记者芭比(琪恩·亚瑟 Jean Arthur 饰),希望她能够从迪兹的身上挖掘出一些吸引眼球的新闻。刚开始,芭比十分看不惯迪兹的处世为人,但随着时间的推移,她渐渐被后者的善良和正直所吸引,两人之间产生了浪漫的爱情。迪兹决定将得到的遗产用于帮助深陷贫困的人,这一举动遭到了律师约翰(Douglass Dumbrille 饰)的质疑,他坚定的认为迪兹的脑袋可能出了什么问题,甚至将他告到了法庭。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.