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六号关口
凯特·波茨沃斯,托马斯·克莱舒曼,卢锡安·拉维斯科特,马丁·麦凯恩意乱情迷
麦茜·理查森·塞勒斯,珊农·沃德华德,Rosaline Elbay,Kate Szekely,吉米·让-刘易斯,Benjamin Valenzuela,Brandi Huzzie,拉玛尔·亚瑟,Loren Swan,Kelley Kali,谢恩·玛姆帕米尔,凯西·福特·亚历山大,Sidnei Barboza,Harsh Milan承诺2017
楠迪·宗拉维蒙,安比查雅·松可寒,图恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里库苏拉康,Duentem Salitul,本杰明·约瑟夫·瓦尼,素查达·彭帕塔娜苏,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri黑仙女
安努舒卡·莎玛,帕拉姆巴拉塔·查特吉,拉贾特·卡普尔,Ritabhari Chakraborty,Dibyendu Bhattacharya莱姆豪斯的杀人魔
奥利维亚·库克,比尔·奈伊,道格拉斯·布斯,埃迪·马森,玛利亚·瓦沃德,萨姆·里德,亚当·布朗,戴维·鲍姆伯,保罗·里特,丹尼尔·梅斯,马克·坦迪,摩根·华金斯,彼得·苏利文,亨利·古德曼,达米安·托马斯趣塔德庄园
戴米恩·路易斯,凯瑟琳·沃特斯顿,托马辛·麦肯齐,本·拉德克利夫,汤姆·费尔顿,艾玛·莱尔德,李·布罗德曼,汤姆·古德曼-希尔,吉米·卡尔,莉莉·奈特,亚当·伍德沃德,查理·罗尔斯,卢卡斯·凯利,内森·霍尔,亚历山大·巴特勒,莉兹·霍普利,艾琳·奥斯汀,玛格达莱娜·斯维兰德,杰玛·瓦德尔,劳瑞·奥格登同类精选
影视排行
角落小伙伴：天空王国与两位小伙伴
井之原快彦,本上真奈美故事舞台设于云上天空王国。当王子从天空王国坠入阴雨连绵的角落小镇，救助王子的角落小伙伴们得知云上世界陷入严重水危机，为拯救王国展开冒险。
鬼婴庙
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad幸福的三口之家，可爱的小女孩亚美却经常对着空气说话，并言称有一个无依无靠的小弟弟跟在身边。她的举止令父母非常担心，而诡异的事件也相继发生。亚美的妈妈小萍是一所高中的老师，她的学生阿波与关儿相恋。青春男女爱火正炽，无所顾忌，终于令关儿不慎怀孕。为了免去负担与压力，关儿最终找到无照女医引产，这也正是他们痛苦的开始。另有一美貌女明星，适值人气下滑，而她又因不负责任的男友不断怀孕，人生渐渐陷入困境。 在这些所谓时尚男女的附近，寂寞冷清的寺院内痛苦悲伤的婴灵无助哀号。各人欠债各人还，以杀生换取的幸福终究带着浓浓的血腥……
好想大声说我爱你
李先时,伍月,颜丹,博弘,任青安,史恩旗,简佳琳拳击手成祥，在北京和初恋女友娜娜一起创业奋斗，十年后，处于事业落魄低谷中的成祥创业失败又遭初恋背叛，黯然返回家乡后喜欢上同村女孩元丽。在深度相处后，成祥爱的一发不可收拾，表白元丽被拒，失落的成祥一蹶不振。得知元丽因自身困境忍痛拒绝，成祥父母与元丽设订婚谎言激励他。成祥带着家乡的特产重返北京奋斗，即将功成归乡知晓真相后，倾其所有相助元丽，只希望她过的比自己好，元丽破防，再也忍不住内心爱的悸动，大胆的表达了自己对成祥的爱，两人自此走在了一起。两人携手相伴。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.