播放通道
详细简介
热门影视 大家都在看
我是桐岛
每熊克哉,北香那,奥野瑛太,高桥惠子,原田喧太,影山祐子,山中聪,郑龙进,岭豪一,和田庵,伊藤佳範,宇乃徹,长村航希,海空,安藤瞳,咲耶,赵珉和,松本勝,秋庭賢二,佐藤寿保,ダーティ工藤,白川和子,下元史朗,甲本雅裕逆转劫局
乌戈·席尔瓦,埃玛·苏亚雷斯,娜塔莉·波萨,巴巴拉·戈纳加,丹尼尔·佩雷兹·普拉达,苏珊娜·阿巴图纳·戈麦斯,坎迪多·乌兰加,Alexandra Prokhorova,Richard Sahagún,费尔南多·阿尔比祖退伍军官
亚尼·卡普尔,莫娜·辛格,拉狄卡·马丹,Aditya Rawal,沙鲁巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital灵犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn迈克尔·杰克逊：巨星之路
贾法尔·杰克逊,尼娅·朗,劳拉·哈里尔,朱利亚诺·瓦尔迪,迈尔斯·特勒,科尔曼·多明戈,乔·吉列特,卡特琳娜·格兰厄姆,拉伦兹·泰特,德里克·卢克,杰西卡·苏拉,汉克·诺思罗普,肯德里克·桑普森,约瑟夫·戴维-琼斯,内森尼尔·洛根·麦金太尔,凯林·多瑞尔·琼斯,迈卡·麦克尼尔,莫妮克·林赛,奥利维娅·塔卡格什,凯蒂·凯冷光中
麦卡·梦露,艾伦·霍科,特洛伊·科特苏尔,杰西·厄文,海伦·亨特,帕特里克·萨邦圭,戴维·哈索姆,瓦罗娜·塞茨瓦埃洛,诺亚·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麦克马洪,Yannick Lemos,Steven Miller,Barry Tuff,奥斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait同类推荐
遇见世界
杉咲花,南琴奈,板垣李光人,苍井优,涩川清彦27岁的由嘉里沉迷于拟人化烧肉漫画《肉即吾命》，却始终无法接纳真实的自己。面对朋友们纷纷步入婚姻与家庭，她感到焦虑与孤独，尝试通过相亲改变现状，却屡遭不顺，醉倒在歌舞伎町街头。此时，她被陪酒女莱伊救起，两人由此展开一段微妙的关系。随后，由嘉里又结识了已婚男公关朝日，三人各自背负着不同的生活压力，却在彼此陪伴中逐渐找到归属与勇气。 影片改编自金原瞳撰写的同名小说。
腐坏之巫
阿丽亚娜·德博斯,马尔顿·索克斯,芭比·费雷拉,阿玛拉·卡兰,阿里安·穆阿耶德,桑娅·奥尔森兰,杰瑞米·惠勒,朵卡·格莱拉斯,米克尔·布拉特·西尔塞特,加布里埃尔·德雷克,伊莫拉·加斯帕尔,加博尔·纳吉帕尔,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德鲁·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan一名厨师终于开了自己的高档餐厅，但地址选在了乡野传说中女巫住过的“鬼屋”，可怕的事情发生：食物里有虫子爬出，血腥事件来临……
快乐猎杀
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm一个酗酒的二逼必须跟另一帮沙漠里面脑子有病的残忍土老帽儿玩儿被猎杀的游戏，你觉着他能坚持到最后么 五名酗酒者, 成为贝德福德平原狩猎小镇的狩猎对象, 而沃伦则是佼佼者, 他们与镇民展开了输死搏斗, 面对全副武装的镇民, 他们能否逃出升天? 得知前女友在墨西哥過世而且留下他們的女兒，酒鬼沃倫決定當個好父親，開始戒酒並前去接回女兒。途經一座沙漠小鎮停車休息，卻在當地意外陷入昏迷；再醒來後，沃倫發現自己恰巧遇上小鎮的狩獵季節，而獵物竟是沃倫與其他旅客！除了要應付鎮民的瘋狂追殺，同時還要克服不斷襲來的戒斷症狀，沃 倫能否順利逃出沙漠，與女兒共享天倫之樂？
咸鱼翻身
李健仁,梁家仁,钟伟强,程东,黄一山,马雪阳,Boz,董方卓此片主题为讲述两代人为胜利与人生尊严拼搏不息、最终实现足球梦的励志故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.