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血寡妇
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赎命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陈奕迅,Lee Perkins少女凯特(莱斯利-安妮·哈芙 Leslie-Anne Huff 饰)拥有一种神奇的能力,随便什么人,她只要看上一眼,便能知道他的死期为何时。一次偶然中,凯特遇见了名为杰森(Anthony Chaput 饰)的男子,凯特发现杰森拥有能够在死后和现世交流的能力,并且,杰森的死期就在几个小时之后。一直想要知道死后世界是什么模样的凯特摆脱杰森在死后同她联络,杰森兴然应允。 果然,很快杰森便死了,在临死之时,一副诡异恐怖的画面出现在了杰森的眼前。之后,凯特果然接到了杰森来自“阴间”的电话,根据杰森的指使,凯特需要前往香港,在那里,一位名叫达伦(陈奕迅 饰)的酒保正在等她。
养鬼吃人10:审判
希瑟·兰根坎普 , 兰迪·韦恩 , 约翰·古拉格 , 凯特·琼斯 , Rheagan Wallace , 亚历山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole影片讲述3名警探在调查一起谋杀案时,却已悄悄落入钉子人的陷阱... 新任“钉子头”由《罪恶之城》男星保罗·T·泰勒饰演,影片将于2017年在美国上映。 据外媒报道,《猛鬼追魂》第10部影片《猛鬼追魂:审判》(Hellraiser:Judgment)首度曝光了造型照,令人闻风丧胆的“钉子头”现身,由《罪恶之城》男星保罗·T·泰勒饰演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖电影之一,除惊人的血腥场景外,更借助肉体的痛苦达到灵魂的救赎,追求一种由魔入道的境界。…
熊猫计划之部落奇遇记
成龙,马丽,乔杉,于洋,王影璐,张子栋,王成思,柯达,宋木子,冯满,王星,潘斌龙,于荣光,胡笑源神秘部落规矩离奇,怪事接连不断!?熊猫胡胡和国际巨星Jackie(成龙 饰)意外穿越进入与世隔绝的原始部落!拥有大小黑眼圈的憨萌熊猫胡胡竟被奉为“天降神兽”,还被族人们予以重任,坚信她能化解部落危机。为守护胡胡,Jackie只得与怪异的族人们斗智斗勇:偶尔御风飞翔的族长(马丽 饰)、偶尔萌猛反差的勇士强杉(乔杉 饰)、偶尔神力附体的王子图鲁(于洋 饰)和全程身手不凡的公主纱依(王影璐 饰),这场奇遇又会藏着怎样的爆笑冒险?胡胡能否化解部落的危机?神秘的部落背后又会隐藏着怎样的古老秘密?
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster