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领养惊魂
约翰·库萨克,蕾切尔·勒费夫尔,瑞恩·菲利普,路易斯·古兹曼,杰基·韦佛,伊莎贝拉·阿德里亚尼,Blas Diaz奇谋妙计五福星
洪金宝,吴耀汉,冯淬帆,岑建勋,秦祥林,钟楚红,成龙,叶童,林正英,夏文汐,太保,元彪,李赛凤,午马毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉冰雪之行
马特·波莫,乔什·维金斯,比尔·普尔曼,亚历克斯·诺伊施泰特,莉莉·格莱斯顿,肯·怀特,斯科特·麦克米利恩超级马力欧银河大电影
克里斯·帕拉特,安雅·泰勒-乔伊,查理·戴,杰克·布莱克,布丽·拉尔森,唐纳德·格洛弗,本·萨弗迪,科甘-迈克尔·凯,凯文·迈克尔·理查德森,路易斯·古兹曼,伊萨·雷,格伦·鲍威尔,萝珊娜·奥德嘉意外空间
胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃尔南·门多萨,劳尔·门德兹同类推荐
噬血芭蕾
阿丽莎·威尔,梅丽莎·巴雷拉,丹·史蒂文斯,凯瑟琳·纽顿,凯文·杜兰,吉安卡罗·埃斯波西托,安格斯·克劳德,威廉·卡特列特,马修·古迪据DL报道，Radio Silence团队将执导环球影业未定名怪物电影。 Radio Silence是马特·贝蒂内利-奥尔平、泰勒·吉列特、贾斯汀·马汀内斯（已单飞）和查德·维拉利亚四人于2011年成立的一个电影人组合，曾执导或部分参与制作的作品有《致命录像带》系列、《恶魔预产期》、《一路向南》、《爆血新婚夜》、《惊声尖叫5》、《惊声尖叫6》等，主打惊悚题材。 该项目将类似之前的新版《隐形人》和即将上映的《伦费尔德》，是对环球旗下经典怪物角色进行全新诠释的惊悚类作品。 环球对预算、分级和影片具体类型没有任何限制（no restrictions on budget, rating or genre），它们不是任何“电影宇宙”的一部分，每部电影都能够独立存在、发挥创意。整个方向强调作者驱动，环球欢迎任何有原创性、有才华、敢于尝试的创新型电影创作人为旗下的角色开发故事。
赌侠大战拉斯维加斯
刘德华,张家辉,陈百祥,林熙蕾,郁芳,万梓良,李菲,王晶,南燕合力击败马交文之后，king（刘德华 饰）与化骨龙（张家辉 饰）联合化骨龙的表哥阿叻（陈百祥 饰）骗取了恶人大眼文一笔钱。当他们打算享受一番之际，大眼文把化骨龙抓走了。King与阿叻则被警方带到与中方高层见面，他们被派往拉斯维加斯捉拿大老千Peter朱（万梓良 饰）。为了得到巨款拯救化骨龙，king接受了这次任务，前往拉斯维加斯。 在拉斯维加斯，小心（郁芳 饰）与阿扁（林熙蕾 饰）一心想找到金龟婿，后来加入了king的老千行列。终于他们遇到了Peter，两人互相欺骗更多次交手，敌意渐生。 King用阿扁做饵勾引Peter成功，他们经由沙漠公路到洛杉矶，途中Peter极力逃脱。众人在沙漠奋力搏斗。Peter的手下竟然用直升机拯救，幸好king神机妙算，顺利把Peter带回香港。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
间谍2013
薛景求,文素利,高昌锡,安圣基,丹尼尔·亨利外表平平的金哲秀（薛景求 饰）是大韩民国的一名身怀绝技、勇武干练的特工，但在日常生活中他伪装身份，连妻子英熙（文素丽 饰）也对其真身一无所知。在老婆面前，他是唯唯诺诺，毫无气场的普通上班族。哲秀就在危险和平凡中小心翼翼保持平衡。某天，即将参加六方会谈的朝鲜代表白武镇乘坐的飞机被恐怖分子击落。由于该次会议事关重大，影响着南北统一和放弃核武的协议签订，因此韩方派出金哲秀和搭档们去泰国营救白武镇拥有丰富核武制造经验的女儿白雪希。与此同时，身为空姐的英熙在和丈夫吵完架后飞赴海外，途中邂逅了英俊帅气的男子莱恩，殊不知此人正是暗杀白武镇的冷血杀手。危机重重的泰国，金秀哲经历着来自国家和家庭的严峻考验……
斯大林格勒大血战
鲍沃斯·布斯,柳博米拉斯·劳恰维丘斯,谢尔盖·尼科年科,费尔南多·阿连德,米哈伊尔·乌里扬诺夫,格特·容加斯,鲍里斯·涅夫佐罗夫,布鲁诺·弗雷因德利赫,亚历山大·戈洛博罗德科,Yevgeni Burenkov,费奥多尔·邦达尔丘克,卡尔·海因茨·乔恩斯基,欧克萨娜·范德拉,谢尔盖·加尔马什,瓦伦丁·格鲁本科,Andrei Grinevich,安德烈·古塞夫,Gerd Michael Henneberg,阿尔乔姆·卡拉佩强,季格兰·格奥萨扬,尼古拉·克留奇科夫,罗纳德·莱西,Horst Schulze,La本片反映勒第二次世界大战的历史转折点斯大林格勒战役,是一部极具历料及欣赏价值的巨作.是导演尤.奥泽洛夫的卫国战争三部曲的最后一部.1942年夏季，德军大举进攻苏联，苏军撒退到斯大林格勒进行顽强地抵抗双动用200多万能兵力，2千多辆坦克、大炮、飞机。最后苏军夺得了控制权，拖住了德军主力，11月19日，1万5千门大炮发出了震撼世界的吼声："苏联红军开始了伟大的反攻"这也成了二次大战历史的转折点。 浓烈悲壮气氛破真实地记载宏伟辉煌的场面.本片塑造了斯大林,崔可夫,古洛夫,朱可夫,赫鲁晓夫,叶廖缅科,罗克索夫斯基,希特勒,冯.博克,保卢斯等多个历史人物的历史形象的同时也塑造了西班牙共产党人以及德国红色合唱团等反法西斯英雄的英勇形象