海岸露营地

⭐ 2.9 播放:61万 2026-05-23

在一个比利时海岸营地,市民都希望完全自由地生活,忘记生活的义务。他们远道而来,一部分人甚至想有一些性冒险或触及爱的事情。他们大都喜欢看足球、拳击或选美比赛,而对著名作家皮埃尔 梅尔坦的采访不感兴趣......   

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剧情提要

在一个比利时海岸营地,市民都希望完全自由地生活,忘记生活的义务。他们远道而来,一部分人甚至想有一些性冒险或触及爱的事情。他们大都喜欢看足球、拳击或选美比赛,而对著名作家皮埃尔 梅尔坦的采访不感兴趣......   

幕后花絮

执法记录

两名警察在出警处理一桩家庭纠纷时,不慎酿成了一起枪击意外。为了避免成为舆论的众矢之的,他们选择联手掩盖真相。随着事态逐渐失控,他们才惊觉——监视他们的,远不止现场的摄像头…

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster