播放通道
详细简介
热门影视 大家都在看
孤儿2025
Bojtorján Barabas,Andrea Waskovics,格莱高利·嘉德波瓦,马尔桑·恰尼克怪物惊魂
碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev腐坏之巫
阿丽亚娜·德博斯,马尔顿·索克斯,芭比·费雷拉,阿玛拉·卡兰,阿里安·穆阿耶德,桑娅·奥尔森兰,杰瑞米·惠勒,朵卡·格莱拉斯,米克尔·布拉特·西尔塞特,加布里埃尔·德雷克,伊莫拉·加斯帕尔,加博尔·纳吉帕尔,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德鲁·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan功夫机器侠之南拳
陈虎,王智越战黑金刚
莱伯·布朗,凯瑟琳·希克兰,克劳迪奥·弗拉加索,卢西亚诺·皮格齐老板和小可爱
萨尔瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希罗·埃斯珀斯托,萨尔瓦多·斯特里亚诺,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷纳同类推荐
北部丛林
尼克·斯塔尔,奥利维亚·王尔德,达什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
贝尔法斯特
裘德·希尔,凯特芮娜·巴尔夫,詹米·多南,朱迪·丹奇,塞伦·希德,科林·摩根,刘易斯·麦卡斯基,乔茜·沃克,弗蕾娅·耶茨,内萨·埃里克森,查理·巴纳德,弗兰基·黑斯廷斯,马伊雷德·泰尔斯,卡奥兰·麦卡锡,小伊恩·邓尼特,迈克尔·马罗尼,罗拉·麦克唐纳,艾莉·康德伦,图尔洛夫·科维里,杰拉德·霍兰,康纳·麦克尼尔,约翰·塞森斯,马克·哈德菲尔德,克莱尔·阿什顿,萨克·霍兰,欧拉·麦克唐纳凯特瑞娜·巴尔夫、朱迪·丹奇、杰米·多南、塞伦·希德和新人裘德·希尔主演，讲述1960年代末动荡时期，一个在贝尔法斯特长大的男孩的故事。多南和巴尔夫饰演一对富有魅力的工薪阶层夫妇，他们陷入了混乱局势中，丹奇和希德饰演诙谐活泼的祖父母。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
重大发现
尼尔·布林,丹妮尔·安德雷德一位计算机科学家/小说家与他儿时的朋友团聚，并闯入政府数据库，同时面对他小时候所获得的神秘行为的可怕后果。
机动战士高达闪光的哈萨维喀耳刻的魔女
小野贤章,上田丽奈,诹访部顺一,齐藤壮马,津田健次郎,石川由依,早见沙织,落合福嗣,武内骏辅,山崎真花,永濑安奈,佐藤日向“夏亚的反叛”的第二次新吉翁战争12年后，宇宙世纪105年（U.C.0105），一个名为“马夫蒂”的反地球联邦组织开始以暗杀政府高官的方式对抗强权统治的地球联邦政府。该组织领导人马夫蒂·纳比尤·艾林的真实身份，是曾与阿姆罗·雷并肩作战的一年英雄布莱特·诺亚之子——哈萨维·诺亚。虽被展现奇异力量的少女琪琪·安达露西亚言语捉弄，但哈萨维仍为实现马夫蒂的目标而步步推进。与此同时，追捕马夫蒂的联邦军大佐凯奈斯·斯雷格收到了刑事警察机构汉德利·约克桑的密约提议。在哈萨维与肯尼斯各自为实现目标而行动时，琪琪亦为履行自己的使命，踏上了前往香港的旅程。