爱的两副面孔
这是一个有趣的名不见经传的希腊变态的性喜剧，蕴涵着丰富的性别、 一些丑闻和轻度戈尔的好措施，简短一点。 埃莱安娜 (安娜 Fonsou 饰) 是一个妓女看上去年轻时受到虐待的人。期间她日常的接触，与各类客户，她遇到了年轻的劳动者称为克里斯托谁她短暂地试图发展与正常的关系。旧习难和她很快又打街头但就太晚了，克里斯托已成为迷恋埃莱安娜和打算娶她。渐渐地，压力和紧张的形势开始采取它的收费对埃莱安娜的理智和导致了超现实主义的梦魇的高潮。
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剧情提要
这是一个有趣的名不见经传的希腊变态的性喜剧，蕴涵着丰富的性别、 一些丑闻和轻度戈尔的好措施，简短一点。 埃莱安娜 (安娜 Fonsou 饰) 是一个妓女看上去年轻时受到虐待的人。期间她日常的接触，与各类客户，她遇到了年轻的劳动者称为克里斯托谁她短暂地试图发展与正常的关系。旧习难和她很快又打街头但就太晚了，克里斯托已成为迷恋埃莱安娜和打算娶她。渐渐地，压力和紧张的形势开始采取它的收费对埃莱安娜的理智和导致了超现实主义的梦魇的高潮。
暗夜精选
胜利之歌
詹姆斯·卡格尼,琼·莱斯利,沃尔特·休斯顿,理查德·沃尔夫凶兆1976
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戴向宇,杜奕衡,朱凌雾,张舜迦,李伟龙,于宝坤,安巴,李易衡地心记
彼得·库欣,道格·麦克洛,卡罗琳·莫罗,Cy Grant,Godfrey James,基思·巴伦,Robert Gillespie罗伯特玩偶的复仇
Lee Bane,Harriet Rees,Judith Haley反防御
莉诺·赞,莫里·柴金日掛中天
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罗素·克劳,埃尔莎·帕塔奇,利亚姆·海姆斯沃斯,杰奎琳·麦根斯,罗伯特·菲茨杰拉德·迪格斯,马特·纳夫莱,K·卡兰,林恩·吉尔马丁,丹尼尔·麦克弗森,斯蒂夫·巴什托尼,本尼迪克·哈迪,Dan Matteucci,莫莉·格雷斯,Paul Tassone,Jemima Quinn,扎克·格里奇幸存者1999
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黑崎煌代,远藤宪一,井川遥,木龙麻生,菊池亚希子,中山慎吾,吉冈睦雄,苏钰淳,服部树咲,石田莉子,荒生凛太郎,中村苍思绪膨胀
Jessica Uberuaga,Michael Marinaccio,鲁克·高斯,乔恩·马克,Steve Hanks绵羊侦探团
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普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat幕后花絮
鬼影2025
达尔文是一名摄影师，他发现有个神秘女人总出现在自己的照片中。当这个幽灵般的身影开始在现实生活中显现时，他的女友皮亚开始调查这个鬼魂的身份，最终发现它与一名名叫莉莉斯的前大学学生有关。当达尔文的朋友们开始陆续死亡时，皮亚怀疑这些鬼魂事件与达尔文的过去恶行有关。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.