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Judd Nelson,杰夫·法赫,德鲁·沃特斯,玛迪·亨德森这就是我2026
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保罗·吉亚玛提,多米尼克·塞萨,达明·乔伊·伦道夫,卡丽·普雷斯顿,布雷迪·赫普纳,伊恩·多利,吉姆·卡普兰,迈克尔·普罗沃斯特,安德鲁·加曼,纳希姆·加西亚,斯蒂芬·索恩,吉莲·韦格曼,泰特·多诺万,达比·莉莉·李-斯塔克,比尔·穆托斯,达斯汀·塔克,胡安妮塔·珀尔,亚历山大·库克,利兹·毕晓普,科尔·特里斯坦·墨菲,威尔·萨斯鲍尔虎纹少女
扎芙林·宰丽扎尔,迪娜·埃兹拉尔,碧卡,莎黑兹·萨姆,郡·洛琼,海鲁纳兹万·罗德兹伊,Fatimah Abu Bakar远足惊魂
塔梅尔·哈桑,芭芭拉·尼德尔加科娃,本·洛伊德·霍尔姆斯,Zara Phythian,Daniel Caren兄妹
大泉洋,宫崎葵,泷本美织,仲野太贺,西原亚希,七五三掛龍也,一路真辉,夏洛特·凯特·福克斯,笹野高史,波乃久里子影视排行
新狂蟒之灾
保罗·路德,杰克·布莱克,史蒂夫·扎恩,坦迪·牛顿,艾斯·库珀,丹妮拉·曼希沃,艾农·斯凯,本·劳森,赛尔顿·梅罗,Renee Herbert,娅丝明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟罗,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亚斯,Romeo Ellard,Reagan George为了翻拍影史经典《狂蟒之灾》，格里夫（保罗·路德 饰）和道格（杰克·布莱克 饰）成立史上最穷剧组！在唯一一条演员蛇因伤下线后，他们决定深入亚马逊雨林捉蛇补位，却意外遇上真巨蟒，原本滑稽混乱的片场瞬间沦为致命险境。在蛇口之下四处逃窜的他们，最终是会全员殒命还是顺利杀青？
浪漫杀手真人版
上白石萌歌,高桥恭平,木村柾哉,中岛飒太,高桥光,伊藤俊介,上坂树里,森香澄,本多力,藤堂日向,津田健次郎,白滨亚岚,宫田俊哉,仓悠贵,醍醐虎汰朗,犬饲贵丈,西垣匠,优太朗,内藤秀一郎,丰田裕大,高杉真宙,矢本悠马,藤原丈一郎,佐藤大树,与那城奖,竹财辉之助本片改编自同名漫画，讲述了沉迷游戏、巧克力和猫、毫无恋爱兴趣的高中生星野杏子（上白石萌歌 饰），被魔法使莉莉强行卷入“一个月内必须恋爱”的任务中。为拯救因恋爱能量枯竭而濒临崩溃的魔法界，莉莉夺走杏子的快乐来源，并制造一连串浪漫陷阱，试图让她坠入爱河：酷帅转学生香月司（高桥恭平 饰）、天然幼驯染速水纯太（木村柾哉 饰）、傲娇王子小金井圣（中岛飒太 饰）轮番登场，还出现了强制同居、班级重编等浪漫套路。面对一波波胸动心跳的攻势，杏子能否坚持自我、恢复平静生活？“我是浪漫杀手——谁来都放倒！”
宇宙护卫队：百变流星
李靖,刘妤姻子,刘蕊,姜英俊达尔文星球的晴天霹雳解封曾企图占领地球的恐龙三人组，组成超甲恐龙队，从赤道的热带雨林开始冰冻地球。护卫队收到总部指示，阻止超甲恐龙队。关键时刻，队员流星又遇到了困境，这次他能拯救同伴，保护地球吗？
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.