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剧情提要
三娘为一神秘杀手组织胭脂女之首领,与手下金线和银线等,共四个貌美女子,专杀恶人为民除害,某日接获密报,有多数盗匪为夺取一批财宝与夜明珠,皆来到小镇上,当时官方都束手无策,没法缉捕众多高强匪徒,以及一批宵小鼠群来归案。而维护此财宝者,正是镇远镖局之总镖头陈震远,因而三娘与总镖头合作,经历多番胭脂女美色诱策,其中恶徒月影深喜y-女,强暴及迷奸三位胭脂女,终被胭脂女最强一招~莲指透筋击毙,死於ML中。又经激烈厮杀打斗,引出其余江洋大盗,一举将他们全部除掉
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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