拉芙蕾丝
本片主要讲述《深喉》女主角LindaLovelace在拍摄《深喉》前后的生活。LindaBoreman(阿曼达·塞弗里德AmandaSeyfried饰)本来是弗罗里达州一个普通少女,然而她的人生在遇见酒保ChuckTraynor(彼得·萨斯加德PeterSarsgaard饰)后完全改变了。两人沉浸在疯狂激烈的性爱游戏中不可自拔,Linda离家出走与Chuck结了婚。不久Chuck被捕入狱,两人陷入金钱危机中,于是Chuck强迫Linda去拍摄色情片赚钱。Chuck把Linda介绍给电影人NatLaurendi和AnthonyRomano,并通过一段自制视频展现了Linda的特殊技能。Linda开始拍摄电影《深喉》,这部电影后来成为色情电影史上的奇迹,Linda也因此一炮而红,改名为LindaLovelace。然而伴随着成名而来..国外三级
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剧情简介
本片主要讲述《深喉》女主角LindaLovelace在拍摄《深喉》前后的生活。LindaBoreman(阿曼达·塞弗里德AmandaSeyfried饰)本来是弗罗里达州一个普通少女,然而她的人生在遇见酒保ChuckTraynor(彼得·萨斯加德PeterSarsgaard饰)后完全改变了。两人沉浸在疯狂激烈的性爱游戏中不可自拔,Linda离家出走与Chuck结了婚。不久Chuck被捕入狱,两人陷入金钱危机中,于是Chuck强迫Linda去拍摄色情片赚钱。Chuck把Linda介绍给电影人NatLaurendi和AnthonyRomano,并通过一段自制视频展现了Linda的特殊技能。Linda开始拍摄电影《深喉》,这部电影后来成为色情电影史上的奇迹,Linda也因此一炮而红,改名为LindaLovelace。然而伴随着成名而来..国外三级
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地平线2024
凯文·科斯特纳,西耶娜·米勒,萨姆·沃辛顿,吉娜·马隆,欧文·克劳肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯顿,柯林·坎宁安,斯科特·黑兹,汤姆·佩恩,阿比·丽,迈克尔·鲁克,威尔·帕顿,乔治亚·麦克菲尔,道格拉斯·史密斯,卢克·威尔逊,伊莎贝拉·弗尔曼,杰米·坎贝尔·鲍尔,亚历杭德罗·埃达,Wasé Winyan Chief,迈克尔·安格拉诺,安古斯·麦克菲登,乔恩·比弗斯,亚历克斯·尼布理,艾蒂安·凯利奇,Amos Jason Charging Cloud,博迪·奥库马·林顿,格雷戈里·克食人之饥
马克-安德烈·格隆丁,莫妮亚·肖克里,Charlotte St-Martin宇宙之门
迪安娜·罗素,尼尔·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,乔治娜·布莱克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega鬼声波
罗丝·麦高恩,克里斯托弗·洛伊德,迈克尔·艾克朗德,理查德·古恩,Jane Moffat即兴谋杀
李庚希,邓家佳,刘奕铁,黄晓明,岳佳颐,赵胤胤,杨皓宇,宗俊涛,吕鑫,龚毅星,于晞悦对不起,我们错过了你
克里斯·希钦,黛比·哈尼伍德,瑞斯·斯通,凯蒂·普洛克特,查理·里士满,史蒂芬·克雷格,哈瑞特·构斯特,米奇·麦格雷戈,罗斯·布鲁斯特,朱利安·艾恩,希拉·邓克利,马克西·彼得斯,克里斯托弗·约翰·斯莱特,希瑟·伍德,阿尔伯特·邓巴,纳塔利娅·斯通班克斯,乔丹·科拉德,戴夫·特纳导演精选
破坏欲
在父亲的生日宴会上,一面镜子的突然碎裂让吉娜(琳娜·海蒂 Lena Headey 饰)和众人感到了深深的不安。第二天,吉娜来到工作的医院,却被告知就在不久之前自己刚刚离开了医院。对于这一异象,吉娜只以为是同事眼花,但之后发生的事情却让她再也无法保持平静——无论是大街上正在行驶的红色越野车,还是车中所坐的女子,皆和吉娜完全相同。 无法控制自己好奇心的吉娜尾随女子来到了一幢公寓,过后,吉娜遭遇了惨烈的车祸。为了疗伤,吉娜开始和男友斯蒂芬(梅尔维尔·珀波 Melvil Poupaud 饰)同居,她将她的所见所闻告知了男友,后者却认为她不过是脑部受到了创伤,吉娜陷入了无尽的恐惧和怀疑之中。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
纵横四海
砵仔糕(周润发 饰)、阿占(张国荣 饰)和红豆(钟楚红 饰)均是孤儿,在养父(曾江 饰)栽培下成为国际大盗。长大后成了帮他赚钱的艺术品大盗,而三人同时又认了警察(朱江 饰)为干爹。法国巴黎博物馆内,名画《赫林之女仆》被人盗走。与此同时,阿海、阿占和红豆三人以敏捷身手盗得另一幅名画,在与法国大哥交易时得知名画《赫林之女仆》在妖气重重的古堡内,他们在曾江安排下成功地盗取此画之后,反被集团原凶曾江与法国大哥合谋设下陷阱,派人追杀灭口。阿海驾车与杀手快艇相撞……三人失散,数年后,他们在香港重聚,阿海“瘫痪”住在朱江家里,阿占和红豆已经结婚了。曾江又逼他们去偷画……