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艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan当两个天主教女孩Catherine 和 Rebecca在卖宗教用品时候，敲了不该敲的门，事情开始变得恐怖起来......
暗夜精选
人蛇大战2022
李劲峰,苏濛濛,骆达华关你茶室
Yuriko Heng,K-Lao,赖宇涵,李国煌,Morn Liew,Joshua Se,Songbill,邓金煌,Mayjune,黄楚琳,王竣自拍复印机
Shenina Cinnamon,奇科·库尔尼亚万,Lutesha,杰罗姆·库尼亚,迪娅·潘德拉,Giulio Parengkuan,Mian Tiara,鲁思·马里尼,卢克曼·萨尔迪,Rukman Rosadi,Landung Simatupang,雅彦·鲁伊安,Elisabeth Pasaribu,Budi Ros,东尼·达玛拉手机有鬼
汉娜·霍克斯特拉,Isis Cabolet,罗伯特·德·霍格,Alex Hendrickx,马菲积斯·范德桑德·巴库曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,丽莎·斯普斯,扬容·斯皮森伯格,马克·范·伊文绵羊侦探团
休·杰克曼,尼可拉斯·博朗,尼古拉斯·加利齐纳,莫莉·戈登,茱莉亚·路易斯-德瑞弗斯,克里斯·奥多德,布莱恩·克兰斯顿,帕特里克·斯图尔特,雷吉娜·赫尔,贝拉·拉姆齐,瑞斯·达比,布雷特·戈德斯坦,艾玛·汤普森,周洪,康勒斯·希尔,托辛·科尔,寇布勒·霍尔德布鲁克-史密斯,曼蒂普·迪伦,詹姆斯·赖特,乔治·哈里斯,斯特拉·斯托克尔,本·优素福,乔舒亚·希尔腐坏之巫
阿丽亚娜·德博斯,马尔顿·索克斯,芭比·费雷拉,阿玛拉·卡兰,阿里安·穆阿耶德,桑娅·奥尔森兰,杰瑞米·惠勒,朵卡·格莱拉斯,米克尔·布拉特·西尔塞特,加布里埃尔·德雷克,伊莫拉·加斯帕尔,加博尔·纳吉帕尔,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德鲁·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan母亲2020
长泽雅美,奥平大兼,阿部隆史,郡司翔,夏帆,皆川猿时,仲野太贺,木野花,土村芳,荒卷全纪,大西信满,浅田芭路同系列推荐
极度失眠
Maria Mathiesen,斯特兰·斯卡斯加德,斯威尔·安克·奥斯达,Gisken Armand,克里斯蒂安·菲根斯科探魔导师2之王者联盟
洪冰瑶,李鹤楠,于洛熙,葛天,王炳乔,刘惠,陈招,阿肯,周剑飞,管贞喧,美伊,安龙,Milano,毛秀婷,毛秀玲,齐冰,马驰,王启蘅,金韬,赵寅辰,宋曌晗,侯雪艳,殷晓维,何然,祁建国,张天宇,肖磊,萌宝宝,侯耀华,腾奎兴,郭忆然,赵英龙,钟小丹,杜邱,马满,王虹,黄静,卢晓倩,李雪,王子彤,刘芯嘉,蔡姿利,张汐,陈志颖,陈婉仪,灵药,殷若曦,雪千琪,魏鹏,杨铮,慕岩,史蒂文·达兹,侯晶皓,牛中华,常峰辉,王朋朋,潘靖康,柏树森,潘臣,汪齐,葛亮,张雪峰加美拉对大恶兽吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,滨田优子,船越英二要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍赏美津子,吉行和子,藤间爽子,丰岛花,富山绘里子,布施千贺子,高桥努,白本彩奈,宫泽美保疯狂的酒局
王李丹鈮,丁海峰,李国麟,杜玉明,徐光宇,韩三明,张贺,戴天,朱楒忆有情感的机器人
巴莱特·奥利佛,玛丽·贝丝·赫特,迈克尔·麦基恩,Kathryn Walker幕后花絮
母鸡2025
一只莱亨鸡从冰冷的工业化养殖场逃离，踏上未知的流浪之旅。它闯入一家家族经营的小餐馆，在鸡舍中找到栖身之所，这里却暗藏人口走私的黑暗交易。母鸡一心筑巢繁衍，为守护未来的蛋对抗贪婪的餐馆老板，在生存本能的驱使下步步为营。与此同时，餐馆里的人类故事暗流涌动，一场悲剧正在悄然上演，母鸡的母性抗争与人类世界的残酷现实，在同一屋檐下交织上演。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.