影片推荐
同类精选
绵羊侦探团
休·杰克曼,尼可拉斯·博朗,尼古拉斯·加利齐纳,莫莉·戈登,茱莉亚·路易斯-德瑞弗斯,克里斯·奥多德,布莱恩·克兰斯顿,帕特里克·斯图尔特,雷吉娜·赫尔,贝拉·拉姆齐,瑞斯·达比,布雷特·戈德斯坦,艾玛·汤普森,周洪,康勒斯·希尔,托辛·科尔,寇布勒·霍尔德布鲁克-史密斯,曼蒂普·迪伦,詹姆斯·赖特,乔治·哈里斯,斯特拉·斯托克尔,本·优素福,乔舒亚·希尔冲动2023
玛丽亚·露可安诺娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亚·科莫里基-格兰科夫斯卡亚,Dmitry Khromyh,Islam Kurukov,克塞妮娅·库捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里潇洒先生
郑则仕,关之琳,戚美珍,张国强,楼南光,柏安妮,焦姣,成奎安,陆剑明,曹建南,龙天生,刘锡贤,叶伟信,劳剑华,黄一飞,许英秀,刘玉婷,许思敏,陈颖芝 ,黄雄SPEC：翔
户田惠梨香,加濑亮,浅野优子,谷村美月,福田沙纪,神木隆之介,龙雷太,椎名桔平,城田优,绪方义博擒凶记
詹姆斯·斯图尔特,多丽丝·黛,布伦达·德·班泽,伯纳德·迈尔斯,拉尔夫·杜鲁门,丹尼尔·盖林,阿兰·莫布雷,希拉里·布鲁克,克里斯托弗·奥尔森,雷吉·纳尔德,理查德·沃迪斯,诺埃尔·威尔曼,伊夫·布雷维尔,卡罗琳·琼斯,伯纳德·荷曼,帕特里克·艾亨,弗兰克·艾伯森,弗兰克·贝克,奥利弗·克罗斯,Mogens Wieth,Alix Talton,Frank Atkinson,沃尔特·培根,Betty Bascomb,Eumenio Blanco,Lovyss Bradley,克利福德·巴克顿,Albert无归客
宋洋,陈立农,姜珮瑶影视排行
遇见世界
杉咲花,南琴奈,板垣李光人,苍井优,涩川清彦27岁的由嘉里沉迷于拟人化烧肉漫画《肉即吾命》，却始终无法接纳真实的自己。面对朋友们纷纷步入婚姻与家庭，她感到焦虑与孤独，尝试通过相亲改变现状，却屡遭不顺，醉倒在歌舞伎町街头。此时，她被陪酒女莱伊救起，两人由此展开一段微妙的关系。随后，由嘉里又结识了已婚男公关朝日，三人各自背负着不同的生活压力，却在彼此陪伴中逐渐找到归属与勇气。 影片改编自金原瞳撰写的同名小说。
外星入侵者ZIM
Richard Steven Horvitz,Andy Berman,Rosearik Rikki Simons,Melissa Fahn一名想要征服地球的外星人ZIM 假扮成人类，而只有一个妄想狂的小孩Dib Membrane知道这个秘密。本剧于2001年3月30日在美国和菲律宾首播。 Zim是来自外星来的小孩,应该说是入侵者,但他在自己不知道的情况下,被母星放逐,不知不觉来到了地球... 以小学生的身分在地球生活,虽然说是入侵者,但是几乎都没在进行侵略的动作...(反而在我看过的集数中,拯救地球两次= =") 而且还要面对面前的敌人-Dib的侵扰(在我看来像是骚扰),Dib是唯一知道Zim是个外星人的地球人,但是因为也是个小孩子,所以没人相信他. Zim与Dib是同校又同班的敌人(或者说是一对活宝),不时会进行互相乾扰的...笑话 Invader Zim的动画进行是有点类似PPG(飞天小女警),30分钟演两话,1话12分钟左右,所以每一话几乎都充满笑点....
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
绝命空间站
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?