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拉扎尔·里斯托夫斯基,佩塔尔·科拉克,米尔亚娜·卡拉诺维奇,雅丝娜·杜里契奇,穆拉登·内勒维奇,尼娜·扬科维奇,达妮卡·卡斯托夫斯基,哈里斯·布里纳,蒂赫米尔·斯塔尼克,帕夫莱·埃里克,朱吉娜·拉迪克,内纳德·西里克,娜塔莎·马尔科维奇,尼古拉·布拉托维奇,博扬·迪米特里耶维奇,乔万·卡斯托夫斯基,亚历山大·格里戈利克双生2022
泰莉莎·帕尔墨,史蒂芬·克里,芭芭拉·马滕,Tristan Ruggeri,Ergo Küppas海绵宝宝：深海大冒险
克兰西·布朗,马克·哈米尔,汤姆·肯尼,布莱恩·道尔,比尔·法格巴克,劳伦斯先生,埃丝·史佩斯,罗德格尔·邦帕斯,卡罗琳·劳伦斯,道格拉斯·泰特,卡拉·三子,詹姆斯·亨特,Tammy Davis,Arthur Waite,布莱恩·科菲,Leonel Garza,Scott Frenzel,Melissa Kaye Bontempt,阿拉娜·菲利普世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安东尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多兹,托芙·菲尔德舒,玛西娅·让·库尔茨,泰迪·库卢卡,迈克尔·班克斯,安德鲁·波尔克铁拳硬汉
徐少强,郜乔,邱彬春之祭
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勇敢的马队：伊沃克人历险记
Eric Walker,沃维克·戴维斯,菲奥纽拉·弗拉纳根,盖伊·博伊德,奥布丽·米勒,伯尔·艾弗斯,Daniel Frishman,黛比·李·卡林顿,托尼·考克斯,凯文·汤普森,Margarita Farrell,Pam Grizz,Bobby Bell,Darryl Henriques,Sydney Walker,Jon Berg,蒂芙妮·布里塞特Towani一家乘坐的星际巡洋舰在恩多卫星上坠毁了。Towani家的爸爸和妈妈和他们的两个孩子Mace与Cindel失散了。伊渥克族人——恩多卫星上的土著——找到了这两个孩子。尽管孩子们与伊渥克族的交流起初非常困难，Mace和Cindel最终还是说服了伊渥克族人帮助找寻他们的父母。
动物僵尸
Ione Butler,安德鲁·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亚伦·格罗本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti动物园准备开放，聘请一班实习生到访实习，没想到一种神秘病毒在动物园内开始蔓延爆发，全动物园的动物因而变成噬血活尸，成了真正的尸乐园，现在园区内的幸存者除了得想办法逃出生天外，还必须阻止这群饥肠辘辘的动物活尸走出园区……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
女劫
娜塔莉·布朗,乔纳森·沃顿,彼得·达莰哈,佩顿·肯尼迪,罗恩·利,迈克尔·戴森,梅兰妮·林斯基,塞思·杜哈梅,萨奈·维多利亚,希拉·凡德,琳赛·柏奇XX是一个新的恐怖文选与性别扭曲的所有段将由女性导演将明星的女主角。在预算和时间限制下，董事们被赋予了自由的创造力，但所有的片段都将涉及到恐怖类型。
粽邪3：鬼门开
张庭瑚,李兴文,吴奕蓉,许安植,陈博正,刘国劭,李明仓,王彩桦,黄柔闽,陈为民,曾莞婷,邹承恩,陈雪甄,施冬麟,许莉廷,陈少卉,陈昭妃,姜仁,游否希讲述冠宇（张庭瑚 饰）因与父亲武雄（李兴文 饰）不合，为了赚钱早日搬离家，与好友龟仔（李明仓 饰）一起到旅社打工，不料打扫的房间竟有人自缢身亡，房内充斥不祥的泰国符号，而旅社老板娘（吴奕蓉 饰）更是举止诡异，整间旅社弥漫着死亡的气息，向冠宇席卷而来。