处女思春
舒妮乃是高中应届毕业生，正值思春时期，对男女欢淫性爱，心存嚮往与幻艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。因独守空闺难耐，经常春梦。 有一天，全家到渡假中心，家顺经朋友佩怡介绍，结识女友罗玉文，而佩怡也有要好男友陈志文，都在渡假中心房内，常有亲密肉体接触。 家顺之妹舒妮，遇到一名身体壮硕健美的游泳教练杨志雄，很快产生仰慕情愫，暗恋心中。当汤舒妮得知此教练已有未婚妻，对自身仅当兄妹之情后，内心遭受失恋痛苦。汤舒妮之兄家顺，见其妹未尝初恋之喜，就遭失恋之苦，而感到心疼。便从中开导，使其妹重拾欢笑.........
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剧情提要
舒妮乃是高中应届毕业生，正值思春时期，对男女欢淫性爱，心存嚮往与幻艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。因独守空闺难耐，经常春梦。 有一天，全家到渡假中心，家顺经朋友佩怡介绍，结识女友罗玉文，而佩怡也有要好男友陈志文，都在渡假中心房内，常有亲密肉体接触。 家顺之妹舒妮，遇到一名身体壮硕健美的游泳教练杨志雄，很快产生仰慕情愫，暗恋心中。当汤舒妮得知此教练已有未婚妻，对自身仅当兄妹之情后，内心遭受失恋痛苦。汤舒妮之兄家顺，见其妹未尝初恋之喜，就遭失恋之苦，而感到心疼。便从中开导，使其妹重拾欢笑.........
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春生回家
日军侵华，陈春生目睹父亲惨死刀下，执念驱使他不顾母亲哀求，深夜偷跑参军，立誓抗日救国，再回家乡。他在战场浴血成长，终见山河光复，然而内战打响，拖慢了他回乡的脚步。陈春生拒绝向同胞举枪，沦为逃兵被关押，1949年被强行运往台湾。在台数十年，他漂泊无依，虽遇良伴组建新家，却始终被思乡之苦煎熬。两岸三通后，他竟得知母亲仍在等他，八十三岁的他飞奔回乡，与百岁母亲相认，这份迟到71年的承诺，终在生命尽头圆满。