淫乱书生

死亡真面目2026

戴克·蒙哥马利,芭比·费雷拉,查莉XCX,杰拉德·班肯斯,杰梅因·福勒,乔西·托塔,布里顿·韦伯,J·D·埃弗摩尔,亚伦·霍利戴,萨拉·沃伊特,Kyle Nordby,Nathaniel Woolsey,Brandon Sutton, 塔达赛·杨,Anne Brown Petersen,贝茜·波雷戈,Paris Peterson,Mia Naipaul,Jonathan Shores Aponte-Velazquez,维多利亚·哈里斯

故事关于一个网络视频审查员，她每天就是删除攻击性和暴力内容，这导致她身心俱疲。但她偶然发现了一个组织，他们正在重现原版《死亡真面目》中的恐怖场景。而在技术发达的今天，她开始对这些视频的真假感到疑惑……

冰封之地

尼古拉斯·凯奇,约翰·库萨克,凡妮莎·哈金斯,凯瑟琳·拉·纳莎

　　20世纪80年代初，站街流莺辛蒂（瓦妮莎·哈金斯 Vanessa Hudgens 饰）险些遭人杀害。与此同时，在阿拉斯加一处荒凉所在，一名女性尸体被人发现。警官杰克·海尔康伯（尼古拉斯·凯奇 Nicolas Cage 饰）从辛蒂处了解到，凶手手段残暴无情，并且可能是个连环杀手。由于背负着不堪回首的过去，杰克一方面决定保护这个侥幸从死神手中逃脱的女孩，另一方面将目标锁定在曾在70年代有过前科的男子罗伯特·汉森（约翰·库萨克 John Cusack 饰）身上。罗伯特道貌岸然，不动声色继续着他的猎杀活动，当他意外再度出现在辛蒂面前时，正邪双方的对决即将到了关键时刻……　　本片根据真实事件改编。

派对浪客孔明 THE MOVIE

向井理,上白石萌歌,藤冈靛,森山未来,神尾枫珠,诗羽,菅原小春,八木莉可子,宫世琉弥,森崎温,石野理子,石崎Huwie,和田理生,本间朋晃,真壁刀義,长冈亮介,蔷薇园啊呜,菊地凛子,和田聪宏

　　三国志の天才軍師・諸葛孔明が、なぜか現代の渋谷に転生。　　アマチュアシンガー月見英子の歌声に心奪われた孔明は、英子とともに音楽の力で＜天下泰平＞を目指す。そんな中、日本を代表する3大音楽レーベル、KEY TIME、SSSミュージック、V-EXが頂点を競う、史上最大の音楽バトルフェスの開幕が決定。　　各レーベルから多彩な強者アーティストが集結する中、孔明と英子も参戦することに。　　だが、そんな二人の前に三国時代の孔明の最大のライバル司馬懿の末裔・司馬潤、shin兄妹が立ちはだかる。　　果たして、孔明と英子の運命は──？

爱上平行时空的你

米拉·埃尔绍娃,尤里·纳索诺夫,安东·瓦西利耶夫,柳德米拉·阿尔捷米娃,安东·阿尔特梅夫,埃尔尚·阿列斯克罗夫,纳德兹达·伊万诺娃,罗扎·哈伊鲁林娜,玛丽亚·克罗托娃,尤里·李,康斯坦丁·梅尔兹利金,叶夫根尼·塔库耶夫

艾莉莎搬进了圣彼得堡一间宽敞的公寓，公寓里的镜子却开始出现故障。它向这位年轻的房客展现了同一个公寓的平行世界，只不过，在这个平行世界里生活的不是艾丽莎，而是和她抢这间公寓的派对狂人伊万。这两位年轻人能否认清真爱？他们又能否让两个世界相连，在现实中相遇，只为简单地触碰彼此？

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

封神之双魂妲己

全片AIGC全程创制，以新国风 AI 视觉重构封神经典。影片讲述了冀州侯之女苏小妹被迫入宫和亲，却在途中遭九尾狐妖夺舍，从此与狐妖共用一具身体、形成“一体双魂”的宿命纠缠。白日里，苏小妹尚能短暂清醒，试图阻止狐妖祸乱朝纲；入夜后，狐妖则借妲己之身迷惑纣王，挑动酷刑、陷害忠良，一步步将大商推向崩塌。随着姜皇后、比干、苏全忠等人相继卷入这场人妖共体的阴谋，苏小妹在亲情、国仇与自我牺牲之间被迫抉择，而一心求仙的狐妖也在与纣王的纠缠中逐渐动摇。当天命、情爱与罪孽交织，真正的妲己究竟是谁？商朝的覆灭，是妖狐的算计，还是命运早已注定的结局？    

普通事故

瓦希德·穆巴谢里,玛丽亚姆·阿夫沙里,艾卜拉希姆·阿兹兹,哈迪斯·帕克巴滕,马吉德·帕纳西,穆罕默德·阿里·艾利亚斯梅尔,德尔玛兹·纳加菲,阿菲桑内·纳姆巴蒂,乔治·哈什姆扎德,莉安娜·阿兹兹菲

　　只是一场意外，却又超乎意外。驾车撞死一条狗，男子与妻女来到陌生车房。凭其义肢走动时的声响，车房工认出司机或是当年施酷刑的狱吏。仇人送上门，雪恨更待何时。然而，狱中受折磨时双眼被蒙，嫌疑犯是行刑者确实无误？从早到晚奔波一轮，找来几个狱友确认俘虏身份，痛苦回忆涌上心头。在无 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否问心无愧？以悬疑惊栗布局，暗黑写实的人物故事来自巴纳希狱中亲见亲闻，将苛政、滥权、以暴易暴一一置于道德伦理的天秤上，丈量人性轻重；悲愤中不失幽默，连消带打贪污贿赂之风。一面金棕榈奖，绝非意外。