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充气情人
朱可儿,王波文,邹旭峰,袁宗轩毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉剩餐
卡洛斯·卡瓦略,劳拉·让·马什,Sumit Chakravarti,Eleonora Cucciarelli,Alvaro Flores,Shun Yin浴血困牛山
牛犇,寇振海,王俊东,卢海华,肖聪,陆怡璇,刘芳毓,赵中华,李丞峰,陈楷,任志宏,侯佳伟,袁宇龙,杨涌,泰煜恩,黄振宸,牛青峰,张未柯,佟小虎,马湘宜不被爱也没关系
南沙良,马场富美加,本田望结,基俊介,河井青叶,伊岛空,池津祥子渔民的故事
豪尔赫·A·希门尼斯,Alejandra Herrera,蕾内塔·瓦卡,安德雷斯·德尔加多,Perla Alejo,José Antonio Becerril,Myriam Bravo,Agustin Cornejo,安娜·迪亚斯,Maritza Estrada,Waldo Facco,Bibiana Godínez,梅赛德斯·埃尔南德斯,诺伊·埃尔南德斯,霍泽·梅兰德斯,Daniela Momo,Don Fulgencio Morales,Ruby Vizcarra同类精选
临租家庭
布兰登·费舍,平岳大,山本真理,香农·戈尔曼,柄本明,尼希,古川雁,金隆夫,小松裕司,长田凉子,保罗·安德里亚·迪·皮耶特罗,木村文哉,龟田梨纱,加奈·凯蒂,尾关伸嗣,筱崎志乃,楚南勇真荒村怪谈
李文豪,杨雅涵,张萌萌,钟云鹏,贺颖怡,沈竹,王文采,苏禹铭,李朋霏,刘君豪佐藤妻夫物语
岸井雪乃,宫泽冰鱼,藤原樱,三浦獠太,田村健太郎,前原滉,山本浩司,八木亚希子,中岛步,佐佐木希,田岛令子,柳原晴郎离奇剧院
乌多·基尔,维吉尼亚·纽科姆,卡特里娜 马科尔,艾米莉娅·戈萨姆,维多利亚·莫蕾特,丽莎·贝尔,安德烈·赫尼克,苏珊·安贝赫,哈维·弗里德曼,戴比·露珍,汤姆·萨维尼,卡内赫迪奥·霍恩,琳恩·劳里,杰西卡·瑞默斯,艾丽莎·道林,杰夫·迪伦·格雷厄姆,达蒙·帕卡德,惠特尼·穆尔,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill被记住事物的气味
若泽·马丁斯,米娜·安达拉,Cláudia Carvalho,Zeca Carvalho,João Damasceno,Pedro Lamas,Paula Barata,Robson Lemos,Carlos Dias,Ricardo Vaz Trindade,Fernando Rui Damasceno,Teosson Chau,Maria Manuel Almeida,José Castela,Paula Furtado,Sofia Coelho,Maria José Almeida,Luís Fer宇宙怪兽加美拉
マッハ文朱,小島八重子影视排行
机器人艺妓
木口亚矢,长谷部瞳,斋藤工,竹中直人,志垣太郎,亚纱美少女芳江（木口亚矢 饰）本是某艺妓馆内的低等侍女，她潜心伺候身为当家艺妓的姐姐菊奴（长谷部瞳 饰），但是菊奴对她颐指气使，绝情绝义。偶然机会，芳江过人的膂力被影野制铁的少爷影野光（斋藤工 饰）所发掘。影野制铁表面上是一家大型家族式钢铁公司，暗中则受命于国家，担负武器的制造工作。与此同时，其创始人影野拳山（志垣太郎 饰）怀有不可告人的野心，他四处网罗人生失意的女孩，将她们训练成美貌与杀伤力并重的艺妓杀手，甚至通过身体机械化改造来加强女孩们的实力。 懵懵懂懂的芳江与菊奴被骗进入影野制铁，姐妹俩更被迫互相残杀。在此过程中，她们为了超越对方而不断加强训练和改造，继而成为影野家族不可或缺的机器人杀手。然而随着任务的进行，芳江却渐渐发现亲情的珍贵以及影野家族的丑恶用心……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
逆转劫局
乌戈·席尔瓦,埃玛·苏亚雷斯,娜塔莉·波萨,巴巴拉·戈纳加,丹尼尔·佩雷兹·普拉达,苏珊娜·阿巴图纳·戈麦斯,坎迪多·乌兰加,Alexandra Prokhorova,Richard Sahagún,费尔南多·阿尔比祖焦急的母親菈葵兒（艾瑪蘇雷茲飾演）到銀行借錢，她必須在24小時內籌到35000歐元（約新台幣130萬元），否則她將再也見不到心愛的女兒。經過不斷懇求，銀行終於同意借款給她救急。不料在貸款手續快要完成之時，兩個蒙面搶匪闖入銀行，不但搶走所有錢，就連在場所有顧客與行員都成為人質。在分秒必爭的險境當中，菈葵兒決定無論付出什麼代價，都一定要拿到這筆錢全身而退…。究竟她該如何保住性命？又該如何籌錢保住女兒呢？
血洒胭脂马
罗伯特·蒙哥马利,旺达·亨德里克斯在边境城市圣帕布罗，为一年一度的“墨西哥嘉年华”做准备，加金到来了：强硬，神秘和简洁。他的任务是：找到同样神秘的弗兰克雨果，显然是为了报复；还是敲诈？FBI探员雷茨也在追捕难以捉摸的雨果。镇上的每个人都是神秘的，尤其是皮拉，一个神秘的少年，跟随加金四处，并预感到他的死亡。还包括一个经典的女性法塔莱和一个古老的旋转木马与一个粉红色的马…