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三国的星空第一部
檀健次,路金波,旺旺,任俊鹏,杨卫,良生,方浩然,沉寂,囧森瑟夫,一舟,肖合来提·艾尼,巽辰,易中天,李潇宇,蒋钲圣,陈一伊,何梓骞奇谋妙计五福星
洪金宝,吴耀汉,冯淬帆,岑建勋,秦祥林,钟楚红,成龙,叶童,林正英,夏文汐,太保,元彪,李赛凤,午马埃塞尔阿姨的万圣节
Chris Cavalier,Melissa Daddio,西恩·迈克尔·格洛里亚,Jason Henne,Rhyssa-Kathryn Marie,Jovanni Mazzaferro,Lisa Mcconnell,Madeleine Murphy,Kierney Nelson,Stephanie Town,Gail Yost恶夜勒赎
费尔南多·卡约,曼努埃拉·贝列斯,阿娜·瓦格纳,德里坦·比巴喂，应为
长泽雅美,永濑正敏,高桥海人,大谷亮平,筱井英介,奥野瑛太,寺岛忍捍卫机密
基努·里维斯,迪娜·迈耶,北野武同类推荐
后座
哈利·米尔林,亚历山大·斯卡斯加德,道格拉斯·霍奇,莱斯利·夏普,安东尼·威尔士,杰克·谢尔斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,乔治娅·赫利尔,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保罗·塔利斯,Kevin Bazeley,Christina Carty,扎米尔·梅斯蒂,Jacob Carter弱不禁风的男子Colin（哈利·米尔林 Harry Melling 饰）遇上英俊无比的摩托车俱乐部首领Ray（亚历山大·斯卡斯加德 Alexander Skarsgård 饰），Ray将Colin收为他的submissive，并带他走近一群古怪的酷儿摩托车手，过程中各种收割童贞。但随着Colin深入Ray的那个充满规则和神秘的世界，他开始质疑自己是否真正适合这种当全天候submissive的生活。他是真的找到了自己的使命，还是仅仅用一种“窒息”的人生换了另一种？
木匠之子
尼古拉斯·凯奇,诺亚·尤佩,小枝女孩,伊斯拉·约翰斯顿,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕丽朵,马诺利斯·马诺里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila罗马帝国统治下的埃及，一个家庭为躲避追杀而隐秘生活。家中年轻的儿子（被称为“男孩”）开始对自己的监护人（被称为“木匠”）的身份和教诲产生深深的怀疑。 男孩体内沉睡着某种神秘而强大的超自然力量。随着他的成长与反叛，这股力量开始觉醒并失控。每当他动用一次能力，就会打破现实的脆弱平衡，招致更可怕的反噬——他们不仅要面对罗马士兵的世俗威胁，更要遭遇因亵渎神明而引发的、超越自然规律的恐怖现象：尼罗河水逆流、沙暴中浮现古老邪灵、瘟疫以超自然的方式蔓延…… 这个家庭被迫在双重恐惧的夹缝中求生：一边是外部世界的追捕，另一边是来自男孩自身力量的、逐渐失控的神性（或魔性）灾难。
大明嫔妃之攻心
宋洋,何杜娟,关慧卿,陈一诺张清远死后兰心终日郁郁寡欢，太子误以为她还深爱张清远，嫉妒不已，故意亲近其她妃子来刺激和报复兰心。兰心本已对太子暗生情愫，见状却只能伤怀。 姚芊芊明白了四面楚歌的危险，为保腹中孩子，她四处笼络人心，颇见成效。 王恭妃查出了兰心和张清远的私情，盛怒之下将兰心打入冷宫。太子偷偷潜入冷宫和兰心相见，两人终于明白了对方的深情，情动之下有了一夜温存…… 后来，兰心被诊出怀有身孕，王恭妃却根本不相信这个孩子是太子的……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
深入阴宅
辛政顺,尹伊娜,申素媛在京畿道有一所废弃的住宅，此前曾属于一名金姓老板，他所经营的食品工厂蒸蒸日上，然而他因外遇而和妻子关系日渐恶劣。某天，金老板一家五口被人残忍杀害，与之有染的女员工也下落不明。附近百姓传说女员工早被杀死，她的怨灵屠杀了金老板一家，金老板的住宅也成了当地著名的鬼宅。 2010年的一天，电视台《废家探访》剧组慕名前来，但是包括制作人李永珠、导演崔圭石、录音记者程智英、废家探访队员任万首、万美真、崔雨岚一行六人最终神秘失踪。6月的一天，摄制组的录像带素材重现天日，经过一番修复，摄制组成员们最后那段恐怖的经历得以展现世人面前……