现代法国艳情史
别名：我的性生活 保罗五年来一直无法完成博士论文，又一直搞不清楚自己是要当教授还是作家；与相处十年的女友艾丝塔，他既无法继续共同生活，又无法与之真正分艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他在消极的生活中寻求自己的所需，努力要跨过;三十而立 rdquo;的门槛。最后他做出了自己的决定，他周围的同事和朋友也解决了各自的问题，关系暂时理顺，生活依然继续。
即刻观影
剧情赏析
编辑推荐
浴火之森
贝伦·奎斯塔,戴安娜·戈麦斯,恩里克·奥克尔,华金·弗里尔失去丈夫后，玛格达带着女儿莱德前往森林中的避暑别墅，准备将其出售。这原本是为了治愈创伤的第一步，却因莱德失踪和突发森林大火而发生了意外转折。
荒漠恶种
凯特·林恩·希尔,斯科特·黑兹,Alex Montaldo一名男子在加利福尼亚沙漠徒步旅行时，发现自己的车不见了。当他四处寻找时，他跟着一个流浪的男孩，最终来到了一个年轻女子占据的偏远小屋。两人之间发生了一种奇怪的动态，伴随着几次与威胁女孩的男孩的暴力冲突。当这个男人意识到他掉进了一个精心设计的陷阱时，想要避免他将要遭受的可怕后果已经太晚了。《种子》是作家兼导演巴纳比·克莱的一部大胆、噩梦般的处女作，他的著名mv作品包括Gnarls Barkley的歌曲、“YYYs”等。这部慢热的震撼剧讲述了有毒的男子气概和我们对孤立的恐惧，它有效地呈现了一个男人在面对绝望和生存之战时心理的恶化。作为新人，巴纳比·克莱是一位不可忽视的导演。(南宗锡)
吸血夜惊魂
麦克·道尔,艾斯黛拉·沃伦,马西莫·多布罗维奇,乔纳森·斯卡奇,比利·布莱尔,玛丽安娜·宝拉·韦森特,Danny AghaTwo New Orleans detectives become embroiled in a centuries-long feud between two secretive factions of vampires while investigating a runaway child's case. Torn between their everyday lives and the dangerous lure of immortality, the detectives must race to destroy the evil Moldero clan.
第六日
阿诺·施瓦辛格,迈克尔·拉帕波特,托尼·戈德温,迈克尔·鲁克,莎拉·温特,罗伯特·杜瓦尔克隆技术在不远的未来有了长足的进步，但复制人仍是法理上不可逾越的禁区，政府通过《第六天法》严格禁止克隆人。 飞行员亚当（Arnold Schwarzenegger 饰）拥有幸福的家庭，他出于本能的厌恶那些违背自然规律的基因技术。亚当平时的工作是和搭档送游客上雪峰，这天他们为宠物克隆公司的老板恰克（Tony Goldwyn 饰）服务，搭档顶替亚当驾驶却发生了意外……回到家中的亚当发现居然有一个克隆人顶替了自己的位置参加他的生日宴，莫名惊恐之下他又被来路不明的杀手追杀，他很快明白自己成为了宠物克隆公司的人类复制试验品，做为母体，他面临被消灭的危险。 在逃亡的过程中亚当与暴力反对克隆人计划的组织合作，成功潜入宠物克隆公司，并控制了克隆人技术的负责人威尔博士……
两个心脏
金宣儿,马东锡,李清娥,郑仁基,朴孝朱,申正根改编自同名网络连载漫画，由原作漫画作者郑严植亲执导筒拍摄。该片讲述了被连环杀人犯夺去家人的女子以自己的脏器作为担保展开报复行动的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.