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捍卫机密
基努·里维斯,迪娜·迈耶,北野武公元2021年，资料除了透过电脑输送外，还可利用人脑运输。专业运输员尊尼为了运送更多资料，不惜洗去自己的记忆。一次任务中，尊尼被客户输入过量资料，若他不在二十小时内找到输出密码，他便会倒毙。另一方面，日本集团为了夺取他脑内的资料，也对他展开一场大追杀。
末世厨房
凯恩·罗宾森,小霍普·伊克波库,亨利·劳福,鲁本·奈雅马,后路咭,克里斯塔尔,阿伦·阿萨德,拉萨克·库科伊,埃华特·詹姆斯·沃尔特斯,莱斯利-安妮·米勒,戴米·拉迪波,杰戴亚·班纳曼,菲奥娜·马尔,伊恩·赖特,阿拉贝拉·麦克穆雷,布莱德利·WJ·米勒,泰贾·卡布斯,雷娜·查基尔,泰亚尔尼·费伦-斯宾塞,奥利维娅-罗丝·科利亚德伊兹很快就可以逃脱伦敦仅存的住宅小区“厨房”。但小班吉走进他的生活后他需要做出一些艰难的决定。
不实梦境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek ThompsonLucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
北逃
索利曼·克鲁兹,Niko Becker,巴特·金戈纳,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan CojocaruBased on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.
胜利之歌
詹姆斯·卡格尼,琼·莱斯利,沃尔特·休斯顿,理查德·沃尔夫本片本讲述的是：乔治·柯汉是本世纪前期著名的百老汇表演艺人，身兼演员、作家、作曲家与舞蹈家于一身，他的生平故事可以说反映了四十年代以前美国娱乐事业的生态。本片是导演迈克尔·柯蒂兹与编剧爱泼斯坦尼兄弟合作的另一佳片，描述柯汉从一个地位卑微的儿童演员力争上游变成百老汇巨星的一生。以出色的制作和歌舞场面重现当年的娱乐圈面貌，并侧面反映了当时的美国社会脉动。在三十年代以主演黑社会片享有盛誉的詹姆斯·卡格尼改变戏路，在银幕上又唱又跳，生动而细腻地注释了主人翁的形象和个性，因而勇夺奥斯卡最佳男主角金像奖，片中出色的歌舞表演亦令人看得眉飞色舞
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster