小岳母
男主生意失败，无处居住，搬去了妻子娘家居住，由于岳父岳母已经离婚，男主的新岳母很年轻，同样也欲求不满，男主整天忙于生意，冷落了妻子，妻子便也有了外遇，跟外面的男人整日厮混，男主从妻子那也得不到性满足，更是心烦意乱，这一切被小岳母收于眼底，为了缓和家中的气氛，她想到了一个用自己的肉体来使男主放松下来的妙计...蛋蛋电影网
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侏罗纪统治
Eric Roberts,Jack Pearson,Jamie BernadetteIn Jurassic Domination, “When two military-made, weaponized dinosaurs attack a small mountain town, it’s up to the sheriff to figure out a way to stop the creatures before the dinos escape and wreak havoc nationwide.” Eric Roberts (The Dark Knight), Jack Pearson (Pam & Tommy), and Jamie Bernadette (“NCIS: New Orleans”) lead the movie’s cast.
年兽
陈创,姜彭,吕妍,於薇妮,杜星奇,刘霖,郑龙胡家庄年味渐淡，寒暑异常，舞狮少年罗川跳脱飞扬，异想天开，梦想把舞狮技艺发扬光大，却常常弄巧成拙，所到之处鸡飞狗跳，被村民视为“扫把星”，是村长胡长礼眼中的“危险分子”。年兽小五意外降临人间，大闹村庄，勾走了传家宝——狮头。罗川为找回狮头，和下凡捉年兽的鼠仙阿细相识，两人逐渐发现年兽并不可怕，可以和人类做朋友，但胡长礼爱村心切，被噬灵妖蛊惑，遁入疯魔，制造了一场针对年兽的阴谋，最终罗川和阿细联合村民，打败了噬灵妖，唤醒了胡长礼，胡家庄重归热闹，众人欢欢喜喜迎接春节到来。
利摩日阳台
安妮·莉丝·海姆伯格,法比恩·巴布,安东尼·巴滕迪尔,罗伦纳·席琳,帕特里斯·加莱特,杰罗姆·普利,埃米利安·泰瑟格拉迪丝是一位五十多岁的女性，生活在社会的边缘，没有住所、没有医保卡、没有银行账户。对她来说，一切都无关紧要，甚至对于性、酒精或跳舞的享受也都不重要。一天早上，她偶然遇到了尤金妮，一位高中时的朋友。尤金妮试图违背她的意愿去帮助她。
情棺
刘尚麟摸金校尉白术为拯救被逼与丞相之子秦庭至配阴婚的意中人苏青，决定进行招魂仪式，却未曾想三人彻底陷入阴婚诅咒，身困三生三世的虐恋纠缠……
私生活2025
朱迪·福斯特,维尔日妮·埃菲拉,马修·阿马立克,丹尼尔·奥特伊,文森特·拉科斯特,卢安娜·巴杰拉米,索菲·勒图讷尔精神医生Lilian Steiner就自己一个病人的死展开了调查，她相信这是一起谋杀。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster