香月杏珠 – 君のことを知りたくなる
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蓝眼睛米奇
休·格兰特,詹姆斯·肯恩,珍妮·特里普里霍恩,乔·维特雷利米歇尔•法尔盖特（休•格兰特 饰）经营一间拍卖行，他是个温和的英国人，拍卖行的生意一向很好。他感觉成家的时候到了，便向他最爱的女友吉娜（詹姆斯•凯恩 饰）结婚。可是吉娜对结婚一词十分抗拒，她不愿意跟米歇尔结婚。这样使米歇尔疑惑极了，他认为女友是十分爱自己的，为何不能从此一同生活呢？ 直到后来，他才明白了吉娜的苦心。原来吉娜的父亲是一名黑帮老大，深爱着米歇尔的吉娜不愿自己的丈夫被卷进复杂的黑帮环境中。就算米歇尔向吉娜保证自己不会牵涉进去那些麻烦当中。 可是事情并不如人意，他还是因为这个黑帮岳父惹来了很多麻烦，甚至被警察调查。从此，米歇尔也莫名其妙的成为了黑道中人……
误杀2019
肖央,谭卓,陈冲,姜皓文,秦沛,边天扬,许文姗,张熙然,施名帅,黄健玮,陈志朋,叶浏,谷洋,张林李维杰（肖央 饰）与妻子阿玉（谭卓 饰）来泰打拼17年，膝下育有两个女儿，年届四十的他靠开设网络公司为生，为人也颇得小镇居民的好感，而这一切美好却被突如其来的不速之客打破。这个充斥走私，贩毒活动的边陲小镇，各种权力交织碾压公平正义。李维杰的大女儿平平（许文珊 饰）被督察长拉韫（陈冲 饰）的儿子素察（边天扬 饰）迷奸，因反抗误杀对方。李维杰曾亲眼目睹督察长滥用私刑，深知法律无用，为了维护女儿，捍卫家人，李维杰埋尸掩盖一切证据，在时间与空间的交错缝隙中，与警方在身心层面，展开了殊死一搏的较量。
十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,卢卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,KaFive haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…
食梦者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿时,山田孝之,宫藤官九郎,中川雅也,染谷将太擅长画画的高中生真城最高（佐藤健 饰）有一天被头脑灵光的同学高木秋人（神木隆之介 饰）缠上。对方自称超级喜欢漫画，可却没有绘画才能，秋人希望和最高搭档进军漫画界。最高的叔叔川口太郎（宫藤官九郎 饰）曾是小有名气的漫画家，但因过劳和连载被砍最终英年早逝，这让青年深知这一行的残酷性。经不住秋人的怂恿，最高终于就范。两人选择自荐的方式将目标锁定在集英社旗下的殿堂级周刊《JUMP》上，并初步得到了编辑服部哲（山田孝之 饰）的认可。与此同时，天才高中生新妻英二（染谷将太 饰）横空出世，促使两个人不顾一切地要与之一较高低。不知不觉中，他们已经踏入了这个瑰丽精彩却又残酷万分的漫画世界…… 本片根据创作了超人气漫画《死亡笔记》的大场鸫（原作）、小畑健（作画）的同名漫画改编。
杰姆·耶尔马兹：招牌笑料2024
杰姆·耶尔马兹在这部充满活力的特辑中，土耳其重量级喜剧演员杰姆·耶尔马兹登上单口喜剧舞台，调侃了“取消”文化和令人后悔的纹身等话题
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.