欲德丈母：忍不住的日子
和结婚的女儿雅子和女婿裕志一起生活的女艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。这是考虑到女儿出嫁后会感到孤独的岳母。雅子去朋友家过夜的某个周末，她…
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最伟大的时光
艾斯林·贝亚,马修·麦克诺提,爱丽丝·洛维,伊莎贝尔·贝尔纳多,埃玛·阿莫斯,罗拉·麦克唐纳,齐吉·希思,马克·伍顿,阿尔弗雷多·塔瓦雷斯,Jayde Adams,安马卡·奥卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou露丝·威尔森、库什·珍宝、裴淳华正商谈主演改编自大热音乐剧《The Band》的新片[最伟大的时光](Greatest Days，暂译)。影片由科奇·吉尔佐(《名姝》)执导，片名灵感源自英国流行组合接招合唱团(Take That)的同名歌曲。故事围绕着五名女学生展开，她们在自己最喜欢的男孩乐队的演唱会上，度过了一生中最难忘的夜晚。25年后，她们的生活以及生活方式发生了翻天覆地的变化，她们相聚在一起回望过去并探索未来。接招合唱团成员包括加里·巴洛、霍华德·唐纳德、杰森·奥兰奇、马克·欧文和罗比·威廉姆斯。环球音乐集团将全力助阵该项目，接招合唱团的大量歌曲将获得使用，包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲将全部在影片中呈现。
贝尔法斯特
裘德·希尔,凯特芮娜·巴尔夫,詹米·多南,朱迪·丹奇,塞伦·希德,科林·摩根,刘易斯·麦卡斯基,乔茜·沃克,弗蕾娅·耶茨,内萨·埃里克森,查理·巴纳德,弗兰基·黑斯廷斯,马伊雷德·泰尔斯,卡奥兰·麦卡锡,小伊恩·邓尼特,迈克尔·马罗尼,罗拉·麦克唐纳,艾莉·康德伦,图尔洛夫·科维里,杰拉德·霍兰,康纳·麦克尼尔,约翰·塞森斯,马克·哈德菲尔德,克莱尔·阿什顿,萨克·霍兰,欧拉·麦克唐纳凯特瑞娜·巴尔夫、朱迪·丹奇、杰米·多南、塞伦·希德和新人裘德·希尔主演，讲述1960年代末动荡时期，一个在贝尔法斯特长大的男孩的故事。多南和巴尔夫饰演一对富有魅力的工薪阶层夫妇，他们陷入了混乱局势中，丹奇和希德饰演诙谐活泼的祖父母。
相遇之家
宋智孝,都嬴谞,玉智英,尹惠利拥有15年资历的资深女狱警，得知自己所负责的收容人美英母亲的死讯，之后开始展开的故事。狱警在告别式场以及殡仪馆遇见了美英的女儿俊英，这短暂的相遇，给三人的生活带来了温暖的变化。
青出于蓝2025
索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
探子阿坚：无头奇案
玉叶,国辉故事发生在大约200年前的越南阮朝，探子阿坚受某村庄的邀请，前来调查神秘失踪的案子....
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster