性事进行时
道勋一直暗恋着住在同一栋楼的素贞，但他从未与她说过话，他想知道如何才能与她亲近。后来有一天，Do-Hoon 惊讶地看到 So-Jeong 来找他抱怨楼层之间的噪音。 So-Jeong 没有错过这个机会并邀请她进艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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日出1927
乔治·奥布莱恩,珍妮·盖诺,玛格丽特·利文斯顿,波蒂尔·罗辛,J·法瑞尔·麦克唐纳,Ralph Sipperly,简·维顿,阿瑟·豪斯曼,Eddie Boland,赫尔曼·宾 ,西德尼·布雷西,基诺·科拉多,Vondell Darr,萨利·艾勒斯,吉布森·格沃兰德,Fletcher Henderson,Thomas Jefferson,鲍勃·科特曼,F·W·茂瑙,Barry Norton,罗伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奥·怀特,Cla盛夏的度假时节，一位城市女人来到乡下滞留，这期间，城市女人诱惑了当地的农夫并教唆他杀死自己的妻子（Janet Gaynor 饰）以便贩卖掉农庄后私奔。被迷惑了心窍的男人早已忘记了那些同妻子共处的纯美时光，他将妻子带到河面蓄谋加害，却在要下毒手时幡然悔悟，伤心的妻子踏上了进城的列车，男人穷追不舍一同抵达城市。城市里真正是一片花花世界呵，这对夫妻在街上游走玩乐，在那些小小的玩笑中，甜蜜的冒险中，他们又找回了爱情的美妙共鸣……和好如初的两人返回乡村，不料却在归途遇上了肆虐的风浪……本片是德国导演茂瑙赴美发展后拍摄的第一部作品，曾被多家权威媒体评选为默片最佳杰作之一，获第一届奥斯卡最佳女演员、摄影等多项褒奖。
Y计划
韩韶禧,全钟瑞,金新绿,郑英珠,金圣喆,李在均,柳始我人生低谷迫使两位女子偷盗数百万黄金——这是他们人生中最后一次生死攸关的冒险。 美善（Mi Seon）和道静（Do Gyeong）或许早已习惯在首尔江南区最危险的地段挣扎求生，但这并不意味着她们已经安于此地。除了彼此之外，两位好友只能拼命攒钱，想要摆脱危险的生活方式。然而，就在“退休”指日可待之际，世界却背叛了她们，粉碎了她们的希望。在绝路边缘，她们在江南区发现了一笔隐藏的财富，其中包括赃款和黄金——并将所有赌注押在了人生中最后一次豪赌上。
霍去病：封狼居胥
本片为全流程AIGC打造的史诗古装历史影片，影片聚焦少年战神霍去病传奇一生，从少年从军、勇冠三军，到驰骋漠北、千里奔袭，一路横扫匈奴、破关斩将，演绎封狼居胥、禅于姑衍的千古封神壮举。少年傲气、家国情怀、沙场铁血、君臣知己、大漠豪情交织，再现大汉铁骑的锋芒与华夏少年将军的绝代风骨。
贝尔法斯特
裘德·希尔,凯特芮娜·巴尔夫,詹米·多南,朱迪·丹奇,塞伦·希德,科林·摩根,刘易斯·麦卡斯基,乔茜·沃克,弗蕾娅·耶茨,内萨·埃里克森,查理·巴纳德,弗兰基·黑斯廷斯,马伊雷德·泰尔斯,卡奥兰·麦卡锡,小伊恩·邓尼特,迈克尔·马罗尼,罗拉·麦克唐纳,艾莉·康德伦,图尔洛夫·科维里,杰拉德·霍兰,康纳·麦克尼尔,约翰·塞森斯,马克·哈德菲尔德,克莱尔·阿什顿,萨克·霍兰,欧拉·麦克唐纳凯特瑞娜·巴尔夫、朱迪·丹奇、杰米·多南、塞伦·希德和新人裘德·希尔主演，讲述1960年代末动荡时期，一个在贝尔法斯特长大的男孩的故事。多南和巴尔夫饰演一对富有魅力的工薪阶层夫妇，他们陷入了混乱局势中，丹奇和希德饰演诙谐活泼的祖父母。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
掠杀者
利亚姆·坎宁安,宝拉雅娜·麦金托什,汉娜·斯坦布里奇,布莱恩·拉金,尼尔·格雷格·富尔顿,道格拉斯·罗素,乔纳森·沃森,布莱恩·威纳尔故事发生在苏格兰一个名叫英维思的偏远宁静小镇。夜幕愈加浓重，年轻女警官瑞秋（Pollyanna McIntosh 饰）被闹钟唤醒，她有条不紊穿戴整齐，随后出门行走在空无一人的街道中央。在某个路口，瑞秋目击不远处站着一位老人，但随后老人被一辆飞驰而来的汽车撞到。瑞秋冲上前去，然而并未看到被撞之人，她只得将肇事者凯撒（布莱恩·沃纳 Brian Vernel 饰）扭送回警局，与麦克·瑞德警长（道格拉斯·罗素 Douglas Russell 饰）一同审问。稍后凯撒被关入牢房，而警局的同事也找到了那名神秘且一言不发的受伤老人。 令人难以置信的是，老人似乎拥有直抵他人内心的能力，同时也让对方暴走疯狂，这注定是一个不平凡的夜晚……