TAHAN
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线看
同款热播
三十九级台阶
罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.音乐厅中传来枪声，观众们一片惊慌。一位外国女子（露西•曼娜海姆饰）询问理查德•汉内（罗伯特•多纳特饰）是否可以在他家中过夜。次日该女子在被杀之前告诉理查德必须阻止间谍组织“三十九级台阶”将国家机密偷偷送出英国。汉内为了证明自己并不是杀人凶手无奈前往苏格兰高地寻找线索，在火车上他寻求一位叫做帕梅拉（玛德琳•卡罗尔饰）的金发年轻女子帮助，但她却马上向警察告发了他。他找到了“三十九级台阶”的领导人乔丹教授，但随即被陷害入狱。侥幸逃脱后又由于帕梅拉的告发被两位伪装成便衣警察的人带走，并且他们还把帕梅拉和他铐在了一起。于是两人携手逃脱了出来并取得了互相的信任，然后他们再次回到音乐厅，汉内看到了上次就见过的表演。他向号称可以回答任何问题的“记忆先生”（怀特•沃森饰）提问：“什么是三十九级台阶“，于是…… 希区柯克曾说“记忆先生“是他最喜欢的角色之一，这个角色建立在一个名叫达塔斯的真人基础上，他自己小时候在伦敦看过他的表演。
他人即地狱(日影)
八村伦太郎,柳俊太郎,冈田结实,三浦健人,青木さやか,大仓空人,萩原圣人,鈴木武,星耕介,滨津隆之,日比美思,松角洋平,大野泰广「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出来事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫画の舞台を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの恋人・メグミを岡田が演じる。
上帝阴影下
马克·奥布莱恩,杰奎琳·拜尔斯,Shaun Johnston,乔什·克鲁达斯,阿德里安·霍夫,戴维·哈索姆,Cara Azevedo一位精英驱魔师在对他的父亲进行未经授权的驱魔时，怀疑与他战斗的实体是一个神圣的存在——甚至可能是上帝。
小倩2024
边江,张惠霖,陈张太康,张思王之,傅晨阳,卢力峰,孙睿扬,郭政建,林兰,妶耳,锦鲤,张雨濛,白望文一影片改编自蒲松龄《聊斋志异》之《聂小倩》。小倩生前被人所负含恨而终，死后化为女鬼，被姥姥囚禁于兰若寺。恰逢书生宁生进京赶考，借宿此地，意外救下小倩。逃亡途中，两人不断遭遇人间及地府势力的阻挠，却也在此般经历中感情升温。宁生带着小倩感受了人间美好，小倩决心还阳，却在到达鬼市后发现事情远没有这么简单……
浪漫杀手真人版
上白石萌歌,高桥恭平,木村柾哉,中岛飒太,高桥光,伊藤俊介,上坂树里,森香澄,本多力,藤堂日向,津田健次郎,白滨亚岚,宫田俊哉,仓悠贵,醍醐虎汰朗,犬饲贵丈,西垣匠,优太朗,内藤秀一郎,丰田裕大,高杉真宙,矢本悠马,藤原丈一郎,佐藤大树,与那城奖,竹财辉之助本片改编自同名漫画，讲述了沉迷游戏、巧克力和猫、毫无恋爱兴趣的高中生星野杏子（上白石萌歌 饰），被魔法使莉莉强行卷入“一个月内必须恋爱”的任务中。为拯救因恋爱能量枯竭而濒临崩溃的魔法界，莉莉夺走杏子的快乐来源，并制造一连串浪漫陷阱，试图让她坠入爱河：酷帅转学生香月司（高桥恭平 饰）、天然幼驯染速水纯太（木村柾哉 饰）、傲娇王子小金井圣（中岛飒太 饰）轮番登场，还出现了强制同居、班级重编等浪漫套路。面对一波波胸动心跳的攻势，杏子能否坚持自我、恢复平静生活？“我是浪漫杀手——谁来都放倒！”
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.