陷阱

2.5 播放:76万 更新:2026-06-06
主演: 윤여창/

Her irresistible fatal love, his love is stuck in the trap.   Ah-yeon looks sensual in those short tennis outfits she always wears. When Min-seok, a successful prosecutor encounters Ah-yeon in a parking lot of a tennis court, he happens to provide her with help unexpectedly. He later gets contacted by Ah-yeon frequently. Although Min-seok, the married man tries to refuse her exce..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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剧情赏析

Her irresistible fatal love, his love is stuck in the trap.   Ah-yeon looks sensual in those short tennis outfits she always wears. When Min-seok, a successful prosecutor encounters Ah-yeon in a parking lot of a tennis court, he happens to provide her with help unexpectedly. He later gets contacted by Ah-yeon frequently. Although Min-seok, the married man tries to refuse her exce..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

编辑推荐

失踪谜案

塔布,安努·卡波尔,马诺杰·巴杰帕伊

  一对夫妇入住了一家度假酒店,几个小时后,他们的女儿失踪了.随着寻找他们女儿的时间的推移,越来越多的真相与谜题出现.....

黑暗之中

娜塔莉·多默尔,艾米丽·拉塔科斯基,艾德·斯克林,乔莉·理查德森,詹姆斯·科兹莫,尼尔·马斯克尔,安珀·安德森,扬·贝弗特,贝恩·科拉科,莱克茜·本博-哈特,金·阿迪斯,丹尼尔·厄根,Chelsea O'Connor,雷纳斯·拉特科夫斯基,奥莱加·费多罗

  Vertical Entertainment取得娜塔莉·多默尔、艾德·斯克林主演影片[黑暗之中](In Darkness,暂译)的北美发行权,该片由安东尼·拜恩执导。该片讲述盲人女孩索菲亚(多默尔饰)偶然听到楼上有打斗之声。实际上楼上的维罗尼卡已遭人陷害。而索菲亚也无故卷入一场黑暗事件中。该片预计今年5月北美上映。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

箭下的约翰娜

伊达·梅金·赫林斯多蒂尔,Grímur Hlynsson,Þorgils Hlynsson,Elín Ósk Óskarsdóttir,Hrafn Þráinsson

三个兄弟姐妹制作了一个骑士般的人物,结果却射出了一连串的箭。随着季节的推移,我们观察了他们的生活,因为他们都在建造和拆除他们逼真的作品。

地窖2024

斯科特·斯比德曼,乔丹娜·布鲁斯特,劳伦斯·菲什伯恩,克里斯·康纳,Katie O'Grady,珍妮·林·田,Randy Sean Schulman,杰萨尔·兰达瓦索,Naiya Amilcar,凯尔·斯托尔茨,Zach Feiner,Kiah Butts

一对夫妇在流产后想要重新开始,他们发现自己得到了梦寐以求的房子,但有一个条件--他们永远不能打开地窖的门。他们能否在不知情的情况下生活下去,这引发了令人震惊的后果。

执法交叉点

Manish Chaudhari,拉塞卡·杜加尔,Saurabh Dwivedi,萨基尔·侯赛因,赛义夫·阿里·汗,桑杰·米什拉

赛义夫·阿里·汗(Saif Ali Khan)将饰演一名警察,他分享了自己的兴奋之情:“由沙·鲁克(Shah Rukh)的公司红辣椒娱乐公司(Red Chillies Entertainment)制作的《卡塔维亚》(Kartavya)真的很棒,很快就会上映。这是导演普尔基特(Pulkit)的一部可爱的作品,很高兴也能在网飞(Netflix)上上映。”这部电影还邀请了包括Rasika Duggal、Sanjay Mishra、Saurabh Dwivedi、Zakir Hussain在内的演员阵容,和Manish Chaudhari。Kartavya团队分享道:“《Kartavya》标志着红辣椒娱乐公司、网飞和导演Pulkit继《Bhakshak》之后的第二次合作。作为一个团队,我们致力于讲述突破创意界限并产生深刻共鸣的故事,而《Kartavy》有力地反映了这一愿景。这部电影以中心地带为背景,探索了法律、家庭、真相和责任的复杂交叉点,赛义夫在道德层面的角色中展现了非凡的深度和强度。我们很高兴能与网飞合作,并期待世界各地的观众体验这种扣人心弦的叙事。”红辣椒娱乐在其不断增长的内容中又增加了一个标题。为全球观众打造,这与Netflix向全球观众展示强大的印度故事的愿景相一致。