北地胭脂
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan民国初年的北京，前朝遗少张三少爷为结识新政府朋友来到清吟小班“蕙芸馆”，偶然发现了老鸨沈三娘不愿为外人所知的院中女子们的爱恨情仇...
播放通道
详细简介
热门影视 大家都在看
最伟大的时光
艾斯林·贝亚,马修·麦克诺提,爱丽丝·洛维,伊莎贝尔·贝尔纳多,埃玛·阿莫斯,罗拉·麦克唐纳,齐吉·希思,马克·伍顿,阿尔弗雷多·塔瓦雷斯,Jayde Adams,安马卡·奥卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou复仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita来点茶泡饭如何
深川麻衣,若叶龙也,小野寺Zuru,片冈礼子,大友律,山下知子,森礼子,幸野紘子,守屋えみ,尾本貴史,遠藤隆太,松尾贵史,丰原功补,室井滋带枪的歌女
田岷,于云鹤,李永田爱的恋习生
Gorn Wannapairote,許紫柔,汪东城智能女佣
尼克·卡鲁乔,Hailey Mauk,朱丽叶·塞茜尔同类推荐
新·胡闹将军
松平健,西畑大吾,生濑胜久,高岛礼子,藤间爽子,小泽征悦,胜村政信,小野武彦,木村了,驹木根葵汰,内藤秀一郎,神威乐斗这次特别篇的舞台，是吉宗治世20多年后的江户城。原创系列中年轻的将军吉宗也面临着六十大寿的继承问题。剧中保留了系列的世界观和魅力，在继承问题上摇摆不定的吉宗和江户城内的人们的模样，以及在城下町发生的阴谋漩涡的疑难事件，将被加入新的角色和时代性来描绘。
奇迹男孩
雅各布·特伦布莱,朱莉娅·罗伯茨,伊扎贝拉·维多维奇,欧文·威尔逊,诺亚·尤佩,丹妮尔·罗丝·拉塞尔,纳吉·杰特,戴维德·迪格斯,曼迪·帕廷金,布莱斯·吉扎尔,艾尔·麦金农,泰·孔西利奥,詹姆斯·休斯,凯尔·布瑞特科夫,米莉·戴维斯,莉娅·朱厄特,凯琳·布瑞特科夫,利亚姆·迪金森,艾玛·特伦布莱,马克·多兹劳,鲁奇娅·伯纳德,J·道格拉斯·斯图瓦特,阿里·利伯特,埃丽卡·麦基特里克,本·伊曼纽尔,杰森·麦金农,索尼娅·布拉加,吉洁特奥吉（雅各布·特瑞布雷 Jacob Tremblay 饰）是一个10岁的男孩，除了头戴一个巨大的太空头盔外，他和其他的同年龄孩子别无二致。头盔下隐藏了奥吉因为各种手术而伤痕累累的脸庞，它不仅完美的隐藏起了奥吉脆弱自卑的内心，也成功的防止了奥吉的模样吓到别的孩子。奥吉没有上过学，他的所有文化知识都是母亲伊莎贝尔（朱莉娅·罗伯茨 Julia Roberts 饰）在家教授给他的。然而，伊莎贝尔渐渐感觉到，家庭课堂无法满足奥吉的成长需要，除了学习知识，奥吉还必须学会的，是如何同除了家人以外的人交流。在忧虑重重之中，伊莎贝尔将奥吉送入了一间公立学校里，在那里，奥吉面临的是他人生中必须要战胜的挑战。
星辰之怒
杰克·麦克维,安德里亚·提瓦塔,Elijah Rowen,奥塔尔·萨拉利兹,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron一个来自国际特种部队的女人的故事，她对人类即将结束有预感。《乱世佳人》是一部由多部获奖短片《不再有明星》发展而来的故事片。
独自赴死
凯瑞-安·莫斯,道格拉斯·史密斯,弗兰克·格里罗Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster