淫乱艺妓回忆录
昭和7年,東京都深川市,在一個批發商協會舉辦的派對上,光三對富士屋的藝妓曾根子一見鍾情。幾天後,因為對於曾根子念念不忘,光三於是拜託富士屋的媽媽桑讓他將曾根子帶出場過夜。那一晚,他們像是久未見面的情人般,瘋狂的做愛,嘗試著各種能想像的到的性愛姿勢,兩人的愛交織著汗水,彷彿在性愛中他們才能得到救贖… 當曾根子透露他為了還債而被賣去當藝妓,光三決定義無反顧地為曾根子贖身…
剧情简介
昭和7年,東京都深川市,在一個批發商協會舉辦的派對上,光三對富士屋的藝妓曾根子一見鍾情。幾天後,因為對於曾根子念念不忘,光三於是拜託富士屋的媽媽桑讓他將曾根子帶出場過夜。那一晚,他們像是久未見面的情人般,瘋狂的做愛,嘗試著各種能想像的到的性愛姿勢,兩人的愛交織著汗水,彷彿在性愛中他們才能得到救贖… 當曾根子透露他為了還債而被賣去當藝妓,光三決定義無反顧地為曾根子贖身…
为你推荐
协议
贝伦·鲁埃达,米蕾娅·奥利奥,达里奥·格兰迪内蒂,安东尼奥·杜兰·莫里斯,乔斯因·本格特伊,卡鲁斯·法布雷加,瓦内萨·布查卡,塞巴斯蒂安·蒙特奇诺莫妮卡有個正值青春期的女兒卡拉,但一天早上卡拉卻因一場奇怪的事件而失蹤,幾個小時後被人發現時已意識不清,醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救,在極度絕望之下,參與了一場暗黑儀式,並跟一名神秘的男人訂下契約,以挽救卡拉的性命。隔天卡拉突然恢復活力,連醫生也無法解釋原因,但莫妮卡的夢魘才正要開始。
她的重生
玛丽安娜·芳塔娜,乔瓦尼·安扎尔多,Demetra Avincola,Dalila De Marco,洛伦索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese影片在舒缓的节奏下呈现了一位女性重塑自我之路,故事主人公安娜为她十几岁时犯下的谋杀罪已经服刑15年,虽然服刑期满,但周围异样的眼神意味着 对她的审判仍未结束。安娜离家远行来到一个小镇并找到工作,准备开启新生活,但她仍需与封闭、恐惧、偏见不停斗争,那些旧日时光留下的黑洞,必须由她亲自填补。
深渊未远
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亚娜·坎卡尔,Andy Steuart,Isobel Lauber饱受折磨的隐士内维亚与神秘莫测的陌生人芙蕾雅,开启了一段风景如画的公路旅行,却失控陷入混乱。在竭力逃离过往的过程中,她们的友谊在每一次转弯处接受考验——而所有道路都指向一个令人震惊的真相。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天竺蓝调
布丽·拉尔森,乌特卡什·安邦德卡尔,斯科特·巴库拉,萨西尔·塞加尔,泰恩·黛莉,唐纳德·萨瑟兰,拉克希米·曼楚,布格斯·巴尔加瓦,达里普·塔西尔,苏哈西妮·穆雷,凯扎德·科特瓦尔,Jaswinder Singh Kambo,阿西夫·阿里·贝格,卡里姆·哈吉,Prashant Prakash年轻貌美的美国科学家琳达(布丽·拉尔森 饰),被公司总裁葛根(唐纳·苏德兰 饰)派往印度销售她所培育的“9号稻米”。初次来到印度的琳达饱受文化冲击,还好有当地年轻官僚威廉的协助,让她可以在那边安心地边研究边销售。此时,她遇到一位因为缴不出学费而辍学的大学生罗杰(乌特卡什·安邦德卡尔 饰),两人在研究与争执过程当中陷入热恋,罗杰也帮她发现被派往印度的丑陋内幕……原来她想要帮助印度农民的研究成果,竟不知不觉地被无良的葛根滥用,即将对农民造成毁灭性的伤害…琳达该要如何阻止这场灾难?而她与罗杰的异国恋又将会开花结果吗?
恐怖故事3:火星来的少女
任瑟雍,景收真,朴正民,洪恩熙由连续并相互构陷的恐怖元素和花絮构成。此次《恐怖故事3》跨越时间将故事呈现,“过去”设置在恐怖故事“狐狸窟”,“现在”聚焦在路怒症Road Rage,“未来”段落围绕人工智能“机械力”。向观众展现不同的元素,释放不同恐怖刺激时本片的内容和目标。
爱情坐标
凯莉·罗兰,马索·曼恩,Chris Kapeleris,亚历桑德拉·卡斯蒂略,梅兰妮·利什曼,罗宾·席德,安妮·冈萨雷斯,大卫·皮纳德,Nck Name,丹尼尔·马力克, 卡洛斯·冈萨雷斯-维奥,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特尔,Hannah Yohannes探索现代浪漫的起起落落。