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罗生门
三船敏郎,京町子,森雅之,志村乔,千秋实,上田吉二郎,本间文子,加东大介抵挡计划
Donald Cerrone,凯利·林恩·莱特,Vincent E. McDaniel,布兰迪·罗德里克,Chris Maher魔法坏女巫
辛西娅·埃里沃,爱莉安娜·格兰德,杰夫·高布伦,杨紫琼,乔纳森·贝利,伊桑·斯莱特,玛丽莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,杨伯文,布朗温·詹姆斯,伊迪娜·门泽尔,克里斯汀·肯诺恩斯,基拉·塞特尔,莎伦·D·克拉克,科林·迈克尔·卡迈克尔,亚当·詹姆斯,爱丽丝·费恩,詹娜·博伊德,肖恩·普伦德加斯特,亚伦·张,Lexi Lancaster,Arlo Turner隐藏杀手
凯尔·麦克拉克伦,迈克尔·诺里鬼租客
纳查潘·帕拉玛查伦罗,Aew Aumpa Phusit,波似·坡尼皮帕特·库尼嗦,坦恩.基缇男.坎蒙功空理法密昕,马克·纳克塔赫·坎那特桑安,Boom Raweephan Siriwattana犯罪读者俱乐部
Veki Velilla,Iván Pellicer,阿尔瓦罗·梅尔,卡洛斯·阿尔凯德,玛丽亚·赛尔祖埃拉,普利西娅·戴尔加多,丹尼尔·格劳,Carmela Lloret,Ane Rot,Hamza Zaidi同类推荐
雨和闪电的气息
麦卡·梦露,玛姬·格蕾斯,布拉德·卡特改編自著名推理作家南希．皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
团战之夜
山姆·洛克威尔,史蒂夫·马克,坦娅·范·格拉恩,卡西尔·伊托克-威尼克,朱诺·坦普尔,迈克尔·佩纳,海莉·露·理查森,莎姬·贝兹,阿西姆·乔杜里,汤姆·泰勒,Adam Burton,迪诺·费切尔,乔治娅·古德曼,康拉德·坎普,迈克·加萨威,安娜·阿克顿,露露·泰勒,艾莉·康德伦,多米尼克·马厄,大卫·斯图尔扎克故事围绕着一个“来自未来的人”（山姆·洛克威尔 饰）展开，他来到洛杉矶的一家小餐馆，在那里他必须招募一群心怀不满的顾客，与他一起完成一个为期一晚、跨越六个街区的任务，以拯救世界免受流氓人工智能的终极威胁。
人工情报
赵寅成,朴正民,朴解浚,申世景韩国国情院特工赵科长，奉命追查跨国犯罪集团，循着牺牲情报员的线索前往俄罗斯符拉迪沃斯托克，意外与朝鲜特工朴健狭路相逢。两人围绕核心情报源蔡善花展开博弈，却同时被各自国家抛弃，被迫在忠诚、背叛与生死之间，联手揭开边境谍战的惊天黑幕。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
去海边的路
原田琥之佑,麻生久美子,高良健吾,唐田英里佳,菅原小春本片改编自同名漫画，背景设定在提倡支持艺术家移居的海边城市，讲述了悠哉生活的14岁美术社员奏介和他的伙伴们，在奇怪的“艺术家”们来来常常的海边街道上，一边做着自己喜欢的东西，一边用无限的想象力让世界变得愉快。