黑人艾曼纽
ddd Inherfirstonscreenadventure,journalist/photographerMaeJordan(knowntoherreadersas"Emanuelle")travelstoAfricaonassignment.Questionsofherownracialandsexualidentitycometoaheadassheobservesthetroubledmarriageofherhosts,AnnandGianniDanieli.MattersarecomplicatedfurtherwhenEmanuellefindsherselfinaffairswithbothofthem,afterwhich...
剧情简介
ddd Inherfirstonscreenadventure,journalist/photographerMaeJordan(knowntoherreadersas"Emanuelle")travelstoAfricaonassignment.Questionsofherownracialandsexualidentitycometoaheadassheobservesthetroubledmarriageofherhosts,AnnandGianniDanieli.MattersarecomplicatedfurtherwhenEmanuellefindsherselfinaffairswithbothofthem,afterwhich...
为你推荐
羊背上的DJ
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban本片在2025年圣丹斯电影节一举拿下世界剧情片竞赛单元评审团特别奖(创作视野)和观众奖两项大奖。马其顿偏远村庄的15岁的牧羊少年沉醉于音乐世界,但在传统社会规则下,他必须面对来自周遭环境与父亲的质疑。某日放羊途中,他偶遇了一场大型的电子舞会,邂逅令他心动的女孩……导演乔治·M·温科夫斯基的长片首作试图探索集体期望与自我表达之间的微妙平衡。片中鲜活的色彩、诙谐的桥段、惹人怜爱的角色和韵律十足的音乐,为这个成长故事注入勃勃生命力。影片温柔且有力地回答了艺术如何成为精神避难所,又如何变为成长催化剂。
两个心脏
金宣儿,马东锡,李清娥,郑仁基,朴孝朱,申正根改编自同名网络连载漫画,由原作漫画作者郑严植亲执导筒拍摄。该片讲述了被连环杀人犯夺去家人的女子以自己的脏器作为担保展开报复行动的故事。
索命暹罗之按摩师
林保怡,袁百梓卉,高捷,黄恺杰,钮蔚淇,高翔,叶勇莫兰(袁百梓卉 饰)拥有着一段悲惨的童年,很小的时候,她就失去了母亲,然而莫兰始终都不知道母亲究竟为什么会死,这场悲剧成为了莫兰内心里最大的谜团和黑洞。时间一年一年的就这样过去,一转眼莫兰便已经长成了亭亭玉立的少女,只是,她从未放弃过想要调查当年事件真相的额念头。 尹正(林保怡 饰)是莫兰的师叔,在泰国经营着一家按摩院。莫兰千里迢迢远赴泰国寻找尹正,想要借助他的力量开始调查。哪知道来到泰国后,莫兰的身边开始接二连三的发生科学无法解释的诡异事件,甚至还发生了命案,而这一切都和母亲当年的死因有着千丝万缕的关联。
孤雁2026
康磊,李欣颖,宋禹1935年上海中共地下组织遭国民党特务重创,绝密档案危在旦夕。地下党员徐峰、李静临危受命与叛徒、特务展开生死周旋,更要面对昔日兄弟反目的仇怨,历经重重牺牲与考验,最终成功取回绝密档案,完成革命使命。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命录像带3:病毒
Carrie Keagan,Justin Welborn,杰西卡·卢扎,兰迪·麦克道维尔,Emilia Zoryan,Emmy Argo,Michael Aaron Milligan1)魔术师但丁依靠神秘的斗篷在时尚都会挣下超高的人气,但是斗篷中藏着可怕的秘密,但丁则用录像记录下了一切。直到某天助理斯卡莉特将录像带交给警方,一切昭然若揭;2)野生科学家阿方索制造了一个连通平行空间的大门,他和另一个世界的自己交换空间,到对方的世界进行15分钟的探险,却发现彼此的世界有着天壤之别。3)三个热衷做极限运动的年轻人偶然来到一处画着神秘图案的场所玩耍,不知不觉中遭到一群恐怖之人的包围和袭击;夜幕下的城市突然响起刺耳的警笛声,警方和疯狂逃跑的冰淇淋车展开夺命追逐。卡文和女友艾瑞丝外出张望,谁知一转眼艾瑞丝竟消失不见,卡文疯了一般四下寻找。现代化的社会,人们依赖影像大刷存在感,却都变成了转瞬即逝的数据碎片……
街尾之宅
詹妮弗·劳伦斯,伊丽莎白·苏,麦克斯·泰瑞奥,吉尔·贝罗斯,Eva Link,诺兰·杰拉德·冯克,艾莉·麦克唐纳结束了一段破败的婚姻,干练自强的凯瑟琳(伊丽莎白·苏 Elisabeth Shue 饰)带着女儿艾莉莎(詹妮弗·劳伦斯 Jennifer Lawrence 饰)远离芝加哥,搬到了一处位于州际公园丛林深处的房子居住。这里风光秀美,景色宜人,深得母女二人的欢心。美中不足的是,附近一处住宅四年前曾经发生惨绝人寰的杀人案件,失踪的女儿更成为当地人口中盘桓不去的幽怨鬼魂,这一切令人不免心怀惴惴。未过多久,心情烦乱的艾莉莎结识了那户悲剧人家幸存的独子瑞恩(马克斯·希尔莱耶 Max Thieriot 饰)。 短暂的交流让艾莉莎隐隐从瑞恩的身上找到些许认同感,却不知这名看似敏感纤细的男孩,心中隐藏着怎样黑暗的秘密……