按摩师的技术
场景 1.(和我的noona一起学习)一个女人一个人学习很困难,当一个人学习对她来说太过分时,她会把她的男同学带到她家。当那个男人责骂她为什么在家学习而不是在图书馆学习时,他的noona说她觉得在家学习更舒服。看了一会儿书后,女人说她累了,会休息一会儿,然后开始睡觉。她的同学因为穿着紧身裤睡着了而无法专心学习,开始摸索女人的身体。场景 2.(信用卡债务和女朋友)一个男人正在为他的信用卡债务而苦苦挣扎。他只能找到一个办法来还清,那就是在房间里安装一面可以覆盖整面墙的玻璃镜子,然后在镜子后面安装摄像头,偷偷录制性爱视频。安装后,他打电话给女朋友到那个房间来,但看了玻璃镜子后,她开始问那是什么。场景 3.(与女大学生一起按摩)一名男子在一家提供商务旅行按摩的女大学生按摩院打电话给按摩师。然而,来他家做客的女人是一个看起来40多岁的好女人,虽然他不喜欢她,但他已经等不及了,所以他只是得到了按摩。按摩师的手变得越来越粘,两人最终开始在床上纠缠并发生性关系。
即刻观影
剧情赏析
编辑推荐
毗邻而居
威廉·菲克纳,杰西卡·麦克娜美,珍·路易莎·凯利,迈克尔·罗森巴姆,科林·伍德尔,埃里希·安德森,罗伯特·阿尔茨一个有婚姻危机的中年男人,某天一个漂亮的年轻女人和她粗鲁的丈夫搬进了他的隔壁,让他的生活发生了翻天覆地的变化......
吉时已到2026
圆子,无恙,南宫承,南宫宇,单贰叁,啵啵,灵川,花花,谢居海,吴国庆无公司,无投资,无AI,一部由爱好者手搓的原创中恐无限流大电影,融合昆曲非遗文化。欢迎玩家进入《牡丹亭·喜宴》副本。
黑域封锁
特瓦纳·巴尼特,迈克·弗格森,LeeAnne BauerWhat begins as a peaceful venture into civilian life for a pair of military vets, quickly devolves into chaos when a nuclear crisis brings danger to their doorstep, igniting an unexpected alliance with a potential enemy, as they struggle to protect their team and overcome the shadows of their past in a lawless new world.
贞子大战碟仙
黄焱明,赵紫彤影片主打悬疑惊悚,将中日鬼神文化脑洞大开的融合在一起,两股势力的对战让影片过程惊喜不断。高颜值与精良的制作让这部电影成为难得的网络大电影佳品。 影片破天荒的将贞子与碟仙两个角色设置成为撕逼对抗,增添了影片的可看性。人性化的处理、悬疑的升级、科学合理的解释和恰到好处的惊悚效果,让影片回归到了十分理性的逻辑上。主演们均是养眼的俊男靓女搭配,身着统一的校园制服清新亮丽,让一些男性观众对《贞子大战碟仙》无可挑剔
爆弹
山田裕贵,伊藤沙莉,染谷将太,渡部笃郎,佐藤二朗一个神秘中年男子醉酒后袭击了一台自动售货机和便利店店员,被警方拘留。他声称自己拥有超能力,并预测东京将有炸弹。从秋叶原爆炸事件算起,他预测接下来还会有三次爆炸,间隔一小时。随后,他一边回避着警察的询问,一边问一些有关炸弹的神秘“问题”。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster