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In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.
小说作家阿贞与拳王父亲从小存在隔阂,父亲离世后,她通过格斗竞技探寻真相,逐渐理解父亲并完成自我蜕变。影片围绕父爱与亲情展开,男主角虽格斗天资一般,仍不懈追寻梦想。剧情融合文与武转换、善与恶抉择,最终阿贞为父正名,成为真正的格斗家 。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
达到合格率99%,顾客满意度100%的自荐书代笔人宝允,声名大噪的她本人却在为公务员考试而烦恼,在超市打工的她每天都过得非常不如意。为了就业被意想不到的事件所纠缠。宝允的人生渐渐陷入无法控制的困境