在线观看
剧情提要
芳芳和阿牛原本彼此相爱，芳芳因父母重病，急需用钱。芳芳决定到海南岛去打工 在酒店当服务员，酒店经理是个色狼，多次强奸芳芳未成，多次被阿明相救，后来2人就好上了并结了婚。一次阿牛也来到了海南岛找芳芳，得知芳芳和一个香港有 钱少爷结婚之后。。。。。谁知阿明和他的兄弟都是变态狂，经常去找小姐，一个月过后 阿明把妻子玩腻了为找新鲜刺激感，阿明把芳芳迷昏后让他兄弟给强奸了，阿明还在旁边用摄像机把她拍下来，芳芳醒来后，伤心至极，去找阿牛。可是阿牛对阿芳 已经死心，最后芳芳一个人在海边回想之后
暗夜精选
生活如是2025意大利
Virginia Raffaele,迭戈·阿巴坦托诺,Aldo Baglio,Ignazio Mulas魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦遗忘尼克
英格丽德·波尔索·贝达尔,露西·波尔,哈鲁克·比尔根纳尔,卡蒂娅·里曼,科斯马·肖,罗伯特·西利格曼谷保镖2
Petchtai Wongkamlao,Tony Jaa绿液惊魂
乔·基瑞,连姆·尼森,乔治娜·坎贝尔,索茜·贝肯,瓦妮莎·雷德格雷夫,莱丝利·曼维尔,亚伦·赫弗南,埃洛拉·托尔基亚,罗伯·柯林斯,贾斯汀·塞林格,加文·斯波克斯,安德鲁·布鲁克,达雷尔·席尔瓦,露伊萨·里希特,纳赫尔·策盖,丹尼尔·里格比,克莱尔·霍尔曼,瓦伦蒂娜·波普科娃,纳纳·詹姆斯落叶球
David Koberidze,Otar Nijaradze六号关口
凯特·波茨沃斯,托马斯·克莱舒曼,卢锡安·拉维斯科特,马丁·麦凯恩同系列推荐
洛杉矶劫案
克里斯·海姆斯沃斯,马克·鲁法洛,巴里·基奥恩,哈莉·贝瑞,莫妮卡·巴巴罗,科里·霍金斯,尼克·诺特,詹妮弗·杰森·李,泰特·多诺万,保罗·安德斯坦,戴文·博斯蒂克,德鲁·鲍威尔,帕特里克·穆尔维,马修·德尔·内格罗,安德拉·内切塔,法希姆·法兹利,佩曼·莫阿迪,丹·佩罗,乔希·斯通,哈娜可·福特曼二狗返乡记
马灿灿,李栋,胡双全,柳秉钰,梁栋,陶源那家伙
周元,柳海真,李裕英,刘慧英,李俊赫,金英熊第六感1999
布鲁斯·威利斯,海利·乔·奥斯蒙,托妮·科莱特,奥莉维亚·威廉姆斯,唐尼·沃尔伯格,特拉沃·摩根,彼得·安东尼·唐伯蒂斯,格伦·菲茨杰拉德,米莎·巴顿,Lisa Summerour,法尔德斯·巴姆,杰弗里·泽布尼斯监控录像
Akaranitimetharat一个星期三的下午
Anupam Kher,Naseeruddin Shah幕后花絮
壮志千秋
故事发生在美国西部大开发时期，燕西（理查德·迪克斯 Richard Dix 饰）带着妻子莎布拉（艾琳·邓恩 Irene Dunne 饰）千里昭昭来到了广袤而又荒芜的俄克纳马拉，心里怀揣着远大的理想，希望能够在这里做出一番建树。俄克纳马拉的生活环境十分艰苦和险峻，然而，夫妻两人同心协力，慢慢改善和建立着他们的家园。在日子渐渐稳定的过程中，在当地生活的牧场主们感到他们的利益受到了侵犯，他们常常会找燕西的麻烦，却又被燕西用智慧巧妙的化解。燕西十分同情在当地生活的印第安土著，与此同时，嫉恶如仇的燕西亦对压迫和剥削原住民的资本家们充满了仇恨，随着时间的推移，双方的矛盾渐渐尖锐起来。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.