剧情简介
曼努尔和胡莉雅在某个夜晚偶然相遇，并度过了激情的一夜。尽管只是短暂的相遇，但他们之间迸发的情愫已远远超越单纯的肉体关系。虽然两人都已婚，但仍决定每周见面一次。未来的人生似乎已成定局，一眼就能看见尽头，然而这段关系让他们开始去想是不是可以有不同的选择，或许他们都值得拥有更多可能……
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饿狼传说：满月杀手
蒂娜·露易丝,伊桑·恩布里,艾琳·库明斯,凯伦·琳恩·高妮,汤姆·诺南,兰斯·盖斯特,阿尔·萨皮恩扎,拉瑞·凡斯登,拉特安亚·阿尔达,尼克·丹米奇,Caitlin O'Heaney,Haythem Noor曾经驰骋战场的退伍老兵安布罗斯·麦金利（Nick Damici 饰）终究也抵挡不了衰老和死亡的侵袭，妻子早年去世，儿子威尔（伊桑·恩布里 Ethan Embry 饰）兀自忙着事业，父子关系虽不冷淡却也绝非亲近，双目失明的安布罗斯搭乘着儿子的汽车搬入名为克莱森特湾的老年社区，陪伴他的只有一条忠诚的狗狗。搬入当晚，住在隔壁的老妇人被一只饿狼模样的怪兽袭击身亡，而安布罗斯则经历了极其恐怖且终生难忘的夜晚。从医生口中得知，该社区每个月都会发生一次类似案件，但警方无一例外都将其归咎为普通的野兽所为。 得不到亲人的救助，更无法奢望父母的庇护，安布罗斯只能融入社区，寻找拯救自己的办法……
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安妮·海瑟薇,米凯拉·科尔,亨特·莎弗,小枝女孩,雅典娜·弗里泽尔,凯雅·基伯,杰西卡·布朗·芬德利,伊绍拉·巴贝-布朗,阿尔芭·巴普蒂斯塔,茜安·克利福德,帕里纳斯·埃斯梅尔萨德,劳拉·米金,朱莉娅·斯托尔巴,丹尼·维塔勒传奇流行巨星Mother Mary（安妮·海瑟薇 饰）为了以完美形象回归舞台，找上疏远多年的好友兼前造型师萨姆（米凯拉·科尔 饰），却也掀开埋藏已久的伤疤。
悭钱家族
杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪典型都市女性Diana（郑裕玲 饰）有着骄人的事业成绩，也积极经营着自己的爱情。可是香港经济不景气，她与同公司的小职员韦大汉（曾志伟 饰）都在了裁员的名单上。韦大汉早年妻子因为好赌离家出走，丢下了女儿千华（杨千嬅 饰）及小儿子万华需要供养。他向儿女隐瞒自己已经被解雇的事实，可是Diana的出现让千华及弟弟都知道了爸爸的真实情况。原来Diana的出现是想跟他们参加一个家庭制的游戏，只有胜出游戏，电视台便会原价收购他们的负资产业。Diana是一个自私冷酷的人，在游戏的过程中，被大汉付出在儿女身上的感情而改变了她。千华也在游戏中与导演（陈奕迅 饰）产生了感情。游戏最终由他们胜出，可是千华亲生母亲的出现使局面彻底改变了……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
月亮中的亚马逊女人
阿瑟尼奥·豪尔,Donald F. Muhich,莫妮卡·加布里埃尔由21 个闹剧穿插一部科幻短片组成的闹剧，导演罗伯特（《怪异的阿尔 杨克维奇》）、约翰（《动物屋》）等等都是环球影片公司的一线导演，他们的共同特点就是在搞怪搞笑方面各有绝招。这些短片大都是对美国夜间电视节目和低成本科幻片的戏仿，故事包括一个男子受到他所住的房子攻击、一场由喜剧演员主持的葬礼和被吸进电视机里的人等等。 眼花缭乱 满嘴放炮
复仇1978
塞尔玖·尼古拉耶斯库,J·迪尼克,J·康斯坦丁故事发生在1941年，希特勒支持的罗马尼亚铁卫军到处残害人民，迫害共产党员，阴谋进行颠覆，取代安东尼斯库政权，其中铁卫军队长巴拉班尤其嗜杀成性。安东尼斯库政权保安机关的警长（后升为警察总监）莫多万在罗马尼亚共产党支持下,单枪匹马深入虎穴和以巴拉班为首的铁卫军展开血腥斗杀......