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阿姆斯特丹
克里斯蒂安·贝尔,玛格特·罗比,约翰·大卫·华盛顿,亚历桑德罗·尼沃拉,安德丽娅·赖斯伯勒,安雅·泰勒-乔伊,克里斯·洛克,马提亚斯·修奈尔,迈克尔·珊农,麦克·梅尔斯,泰勒·斯威夫特,蒂莫西·奥利芬特,佐伊·索尔达娜,拉米·马雷克,罗伯特·德尼罗,梅尔·法尔,邦尼·赫尔曼,马克斯·佩利希,小艾德·博格里,考林·加普,劳伦·肖,布兰登·戴维斯,凯西·比格斯,戴·扬,肖恩·艾弗里,洁基伯明翰,瑞贝卡·薇索基,史蒂文·哈克,贝丝·格兰特,汤姆·埃尔文,利兰·奥瑟,马丁·威廉·哈里斯,文森特·M·比肖内,詹姆斯被时间遗忘的人
帕特里克·韦恩,道格·麦克洛,莎拉·道格拉斯时间旅馆
张本煜,王佳佳,杨平道,杨瑾,王飞飞,沈小平 ,苇青奇幻变身大冒险
迈克尔·B·乔丹,朱诺·坦普尔,崔西·摩根,塞德里克·凯尔斯,内森·格雷诺,贾斯蒂娜·马查多,Joan Ryan,Antwinette Mccloud,Camden Brooks追恶
释小龙,王真儿,刘峰超,刘怡潼日出1927
乔治·奥布莱恩,珍妮·盖诺,玛格丽特·利文斯顿,波蒂尔·罗辛,J·法瑞尔·麦克唐纳,Ralph Sipperly,简·维顿,阿瑟·豪斯曼,Eddie Boland,赫尔曼·宾 ,西德尼·布雷西,基诺·科拉多,Vondell Darr,萨利·艾勒斯,吉布森·格沃兰德,Fletcher Henderson,Thomas Jefferson,鲍勃·科特曼,F·W·茂瑙,Barry Norton,罗伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奥·怀特,Cla同类精选
15年 15 Jahre
汉娜·赫茨施普龙切勿擅动
唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin远古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡纳,多米尼克·基汀,Maureen Kedes风车小骑士
Facundo Reyes,Marina Blanke,Julian Janssen瓢虫少女特别篇：巴黎故事
连环杀手芬斯特
Amanda Evans,布里顿·韦伯,布赖恩·安东尼·威尔逊影视排行
宽恕我们
莉莉·沙利文,卡兰·马尔韦,理查德·劳斯伯格A story of redemption in a world gone dark.
昭和残侠传 唐狮子牡丹
高仓健,三田佳子,池部良,津川雅彦タイトル : 昭和残侠伝: 唐獅子牡丹（期間限定生産）（生産完了） 出演 : 高倉健／三田佳子／津川雅彦／池部良／芦田伸介／菅原謙二 監督 : 佐伯清 不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の状態に追いやられてしまった榊組の姿だった。左右田組の執拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負い目もあって、榊組を助けることにするのだが…。 高倉健の代表作の一つである「昭和残侠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛情と、敵対しつつも育まれていく男の友情を描いている。監督はシリーズの大半を手がけてきた佐伯清。若き日の高倉健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。
短暂的恋情
瓦莱丽亚·戈利诺,皮拉尔·福格莉亚蒂,阿德里亚诺·吉安尼尼,塞莱涅·卡拉马扎,茱莉雅·蒙萨,Cristian Stelluti故事讲述了Lea在酒吧遇到Rocco并成为他的情人的故事。他们的秘密恋情仅限于酒店房间，当李开始渗透到罗科的生活中，超越了他们的秘密遭遇时，他们的关系发生了险恶的转折。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.