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⭐ 5.6 播放:84万 2026-05-23

毕雷诺斯(「 生死极速」)在片中游走於危险边缘且泰然自若,「诱惑陷阱」绝对是他从影生涯的话题代表作。这位红极一时的巨星在片中饰演查理李布兰克,经济富裕,疯狂爱恋年轻貌美的妻子莉莉(莎芙蓉布罗丝,「特洛伊战争」),并认定她会不安於室,决定请人来诱惑她,试试其忠诚度。这名幸运人选就是吉米穆雷(彼得法辛尼利,「魔蝎大帝」),一个力求上进的法律系学生,他原先并不愿意,但查理提出5万元的诱人报酬时,他便向钱屈服了。莉莉拒绝了吉米的初次诱惑,待她发现这一切全是阴谋时,她决定和吉米上床,反咬丈夫一口;吉米却不知查理已暗中将x愛过程全部录影,他也绝对不会善罢甘休。查理是否能战胜忌妒,背弃吉米和妻子呢?   

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剧情提要

毕雷诺斯(「 生死极速」)在片中游走於危险边缘且泰然自若,「诱惑陷阱」绝对是他从影生涯的话题代表作。这位红极一时的巨星在片中饰演查理李布兰克,经济富裕,疯狂爱恋年轻貌美的妻子莉莉(莎芙蓉布罗丝,「特洛伊战争」),并认定她会不安於室,决定请人来诱惑她,试试其忠诚度。这名幸运人选就是吉米穆雷(彼得法辛尼利,「魔蝎大帝」),一个力求上进的法律系学生,他原先并不愿意,但查理提出5万元的诱人报酬时,他便向钱屈服了。莉莉拒绝了吉米的初次诱惑,待她发现这一切全是阴谋时,她决定和吉米上床,反咬丈夫一口;吉米却不知查理已暗中将x愛过程全部录影,他也绝对不会善罢甘休。查理是否能战胜忌妒,背弃吉米和妻子呢?   

幕后花絮

恐怖直播

 韩国首尔某个平凡的早上,广播电台Daily Topic节目的主持人尹英华(河正宇 饰)正就税率改革与听众进行连线,这时一个自称住在首尔昌信洞的普通工人朴鲁圭打入电话,大肆抱怨超高的电费和相关部门对他的威胁。尹英华颇不耐烦,以偏离主题为由强行切断电话。谁知连线无法单方面由电台方面中断,愤怒的朴鲁圭继续抱怨,并扬言炸掉汉江大桥。尹英华不以为然,进而怂恿对方想做就做,谁知话音刚落,窗外的麻浦大桥便炸作废墟。大惊失色的尹英华很快冷静下来,他决定利用这次难得的机会打一次事业的翻身仗。在他的主持下,针对恐怖分子的连线直播就此展开,无关良知的节目拉开帷幕……

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.