布拉格之恋
本片根据米兰·昆德拉的同名小说改编。1968年，布拉格外科手术医生托马斯（丹尼尔·戴-刘易斯暂无内容Daniel暂无内容Day-Lewis暂无内容饰）生活在对女人追逐的快乐中，享受着性的快感。画家萨比娜（莉娜·奥琳暂无内容Lena暂无内容Olin暂无内容饰）是托马斯的红颜知己，但在一次去温泉疗养院出诊的过程中，托马斯结识了女招待特蕾莎（朱丽叶·比诺什Juliette暂无内容Binoche暂无内容饰）。不久，特蕾莎只身来到布拉格，二人结婚。托马斯在婚后依然不改与萨比娜或其他女人偷情的恶习，特蕾莎无法忍受托马斯的不忠，深夜出走，却碰上苏联武装入侵捷克。三人先后逃亡至瑞士日内瓦，萨比娜认识了当地大学教授弗兰茨（德雷克·德·林特暂无内容Derek暂无内容de暂无内容Lint暂无内容饰），特蕾莎失去工作终日闷闷不乐，带着小狗卡列宁孤身重返布拉格。在自由与束缚之间，托马斯究竟该如何选择呢？
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佐伊·马奇尔,弗兰克·盖思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·贝茨,米兰妮·让帕诺米,Zoé Diowo-Ceccaldi,Florence Fauquet,乔纳森·德缪杰,阿利克斯·贝纳泽什,帕斯卡尔·艾尔索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes幸福之路
张震,陈法拉,魏恺乐,莱斯·纳克里,雅南,汤姆·乌卡,杨佩里,王战,李海斌,郑礼莎,亚历克斯·维多夫,卡洛斯·罗德里格斯,丹尼尔·阿拉纳,萨拉·巴斯金,丹尼·博邦熊出没·年年有熊
张秉君,张伟,谭笑真理与背叛
伊万·霍罗克斯,鲁珀特·伊文斯,费迪南德·麦凯,Daf Thomas,Nye Occomore,乔安娜 克里斯蒂,肖恩·马洪,Sylvie Varcoe,本·迪洛韦,丹尼尔·贝茨,Celinde Schoenmaker,Aaron Zicman,Gwenver Farnworth,克里斯托斯·劳顿,多米尼克·马夫海姆,Gabriel Scott,John Sackville,Maxim Ays,Sam Pamphilon,布莱恩·卡斯佩同类推荐
浴火巾帼3
拉妮·玛克赫吉,詹琪·博迪瓦拉,Mallika Prasad,Jimpa Sangpo Bhutia,Prajesh Kashyap,Eindraneel Bhattacharya这是一场与时间的赛跑，决不会手软。Shivani Shivaji Roy回来营救失踪的女孩。
百米。
松坂桃李,染谷将太,笠间淳,高桥李依,田中有纪,种崎敦美,悠木碧,内田雄马,内山昂辉,津田健次郎,榎木淳弥,石谷春贵,石桥阳彩,杉田智和他，天生就跑得快。此外没有优于他人的地方了，但也觉得只要跑得快就足够了。得以立足于学校、成为交友的桥梁。这便是，这位少年的一切。而与他相遇的，是为了忘掉痛苦而跑步的少年。他跑得并不快，却有热情。被他的热情所感染，随后感受到了兴奋。可、这却是“异常”的开端。“100米”，让一切都变得疯狂。
七个以下
方·基默,文·瑞姆斯,鲁克·高斯The story centers on a group of strangers trapped in a time warp house where a terrible event transpired exactly 100 years prior.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
正义联盟：无限地球危机(上)
马特·波莫,詹森·阿克斯,达伦·克里斯,梅格·唐纳利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆图,乔纳森·亚当斯,艾克·阿玛迪,吉奥弗瑞·阿伦德,扎克·卡利森,亚历山德拉·达达里奥,阿拉斯泰尔·邓肯,艾托·艾桑多,Cynthia Hamidi,阿尔迪斯·霍吉,石井恵梨香,大卫·卡耶,阿什莉·拉特罗普,马特·兰特尔The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.