脱口性

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

破坏欲

　　在父亲的生日宴会上，一面镜子的突然碎裂让吉娜（琳娜·海蒂 Lena Headey 饰）和众人感到了深深的不安。第二天，吉娜来到工作的医院，却被告知就在不久之前自己刚刚离开了医院。对于这一异象，吉娜只以为是同事眼花，但之后发生的事情却让她再也无法保持平静——无论是大街上正在行驶的红色越野车，还是车中所坐的女子，皆和吉娜完全相同。　　无法控制自己好奇心的吉娜尾随女子来到了一幢公寓，过后，吉娜遭遇了惨烈的车祸。为了疗伤，吉娜开始和男友斯蒂芬（梅尔维尔·珀波 Melvil Poupaud 饰）同居，她将她的所见所闻告知了男友，后者却认为她不过是脑部受到了创伤，吉娜陷入了无尽的恐惧和怀疑之中。

真正的痛苦

 为纪念逝世的奶奶，许久未见的堂兄弟大卫与班吉相约前往波兰参加导览团，也顺道探访奶奶的老家。一路上，班吉有话直说、率性风趣的性格迅速与同团人士拉近距离，令木讷拘谨的大卫既焦虑又羡慕，压抑已久的情绪日益沸腾。然而，随着旅途种种安排不断挑动班吉的敏感神经，他的狂放不羁似乎逐渐走向失序，大卫试图息事宁人，但内心的不安却席卷而来。这趟寻根之旅，能否解决彼此心底难以言说的痛楚？

西关大屋

　　广州末代西关小姐潘梦蝶，曾是一位绝代佳人，如今住在西关大屋中。在将近一个世纪的时间长河里，她坚守着自己的爱情，坚守着家族的秘密，坚守着属于她自己的祖屋……社区民警马思鹏是一位身手矫健、头脑聪颖、乐于助人的人民警察。他接到了一桩名为“代号西关小姐”的涉毒案件。在调查的过程中，马思鹏结识潘梦蝶及其后人叶伊西。随着案件的深入，许多不为人知的秘密随之解开，一场关于警民、亲情、血缘等复杂情感的生死较量即将展开……

毛骨悚然撞鬼经25周年特别篇

噬童魔

　　孤儿萨曼塔，和她的养父母以及妹妹奥利弗住在一起，但是他的养父并不喜欢她，老是责骂她。由于他们的家位于森林深处，所以回家必须经过森林，但是，他们不知道森林里有树怪，他们能诱捕儿童，然后把抓到的孩子困到他们的巢穴，然后再幻化成孩子的模样，回到他们的父母身边，所以数百年来，这片森林数百年来都有儿童走失的案例，不幸的是，由于萨曼塔的疏忽，让她的妹妹独自穿过森林，然后就被树怪掳走啦，接着就发生了一连串死亡事件，那么萨曼塔一家能够逃过一劫吗？