肉体证据

⭐ 9.3 播放:51万 2026-05-26
主演: 乌利·埃德尔/

在一次欢好中,马歇尔(Michael Forest 饰)突发心肌梗塞死在了漂亮女人瑞贝卡(麦当娜 Madonna 饰)的床榻之上,之后,瑞贝卡被控谋杀。为了洗脱罪名,瑞贝卡雇佣了律师弗兰克(威廉·达福 Willem Dafoe 饰),对于雇主的清白,起初弗兰克也曾心生疑虑,可是瑞贝卡坚称自己无辜,她坚定的态度和甜美的肉体改变了弗兰克的想法。   艾伦医生(Charles Hallahan 饰)的出现让瑞贝卡陷入了不利的境地,好在弗兰克据理力争,瑞贝卡终于获得了无罪判决。然而,故事并没有就此结束,庭审结束后,弗兰克发现瑞贝卡和艾伦之间有着非同一般的关系,而当艾伦得知弗兰克也曾获得过瑞贝卡的垂青之后则更加的愤怒艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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剧情提要

在一次欢好中,马歇尔(Michael Forest 饰)突发心肌梗塞死在了漂亮女人瑞贝卡(麦当娜 Madonna 饰)的床榻之上,之后,瑞贝卡被控谋杀。为了洗脱罪名,瑞贝卡雇佣了律师弗兰克(威廉·达福 Willem Dafoe 饰),对于雇主的清白,起初弗兰克也曾心生疑虑,可是瑞贝卡坚称自己无辜,她坚定的态度和甜美的肉体改变了弗兰克的想法。   艾伦医生(Charles Hallahan 饰)的出现让瑞贝卡陷入了不利的境地,好在弗兰克据理力争,瑞贝卡终于获得了无罪判决。然而,故事并没有就此结束,庭审结束后,弗兰克发现瑞贝卡和艾伦之间有着非同一般的关系,而当艾伦得知弗兰克也曾获得过瑞贝卡的垂青之后则更加的愤怒艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

幕后花絮

困在时间里的父亲

 影片以重复加碎片式的感官叙事手法,讲述了年迈且身患疾病的安东尼(安东尼·霍普金斯 Anthony Hopkins 饰)正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中,安东尼发现自己仿佛进入了一场奇怪的时空之旅,错乱的记忆和时间线交织出一段段匪夷所思的故事,而一个个陌生又熟悉的人也让他陷入迷茫。影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster